Awards 2010: Writer's Guild of America Winners

This week, I did something that I haven't done since late 2009. I sat down and watched Christopher Nolan's The Dark Knight from start to finish. I'd seen fragments of it on television, usually during the ambitious gotham city car chase that takes place in the middle of the film. I can honestly say that I've never fully realize the full scale of Nolan's accomplishment until just now. At face value, it's a dark crime thriller with some breathtaking action set-pieces propelling it, but what always shook me to my core was that final 25 minutes. The Joker had already made it abundantly clear of his intention to show the citizens of Gotham as the murderous fiends they truly are. Ultimately what that final showdown, and what the entire film actually boils down to is the struggle to keep hope alive at whatever the cost. The stakes are made so personal by the face-off between Harvey Dent and Jim Gordon, and that menace shows how painful it is to live in a world with absolutely no hope. That was what made the film so unforgettable.

With that said, Inception is never going to come close to what that film meant and what that film did. To even suggest that is crazy, because Nolan creates a softer film with less emotional stakes. It's dazzlingly well crafted with a powerful and under-appreciated supporting turn from Marion Cotillard, but it won't be what Nolan is remembered for. Recently I have been twisting and turning at how unbearably predictable the Oscar race has become, and it's so unbearable because it's currently in favor of The King's Speech, which is quickly becoming my least favorite film of the bunch, aside from The Fighter. It's amazing how unanimous praise can expose your despise for a film.

Yet this evening we got a glimmer of hope that maybe everything isn't set in stone. Inception took home the WGA award for Best Original Screenplay, making it Nolan's first win at the prestigious awards. For the past seven years the WGA has been spot on in predicting the outcome of the race, despite the strict rules of qualification. This year, The King's Speech was cut out of the race because of such technicalities, so this could break the WGA's streak of voting so correctly. However, I manage to believe that Nolan still has a shot at the win. The message of outcry amongst the fans at Nolan's omission from Best Director has been heard, so voting for Inception could also work as a bit of damage control.

Of course Aaron Sorkin also took the obvious win for his precise screenplay for The Social Network, which has a much greater struggle for the win in Best Picture. It'll be a struggle for David Fincher to recieve his deserved Best Director win against the undeserving Tom Hooper. I feel a greater stream of optimism this evening than I have in a long time. I've adjusted my Oscar Predictions page, so check it out. The winners are listed below.

Best Original Screenplay: Inception
Best Adapted Screenplay: The Social Network
Documentary Writing: Inside Job
Miniseries/TV Movie Adapted Screenplay: The Pacific
Miniseries/TV Movie Original Screenplay: The Special Relationship
Episodic Comedy: Modern Family
Episodic Drama: Mad Men
New Series: Boardwalk Empire