Monday, February 28, 2011

Oscar 2010: The Glitz. The Glamour. The Horror.

This is as mixed an Oscar ceremony as there's ever been, in some ways better, and in some ways far worse than last year's messy ceremony. The evening started out promising with a fantastic opening montage of the ten Best Picture nominees. Then Anne Hathaway and James Franco came on, and the MTV Movie Awards style film tribute began. It was distracting, and an omen of terrible things to come. The monologue wasn't that great either, with most of the jokes landing flat on the ground. To her credit, Anne Hathaway did a great job whenever she was on the stage alone, which was sadly most of the time. I can't tell why James Franco decided to sit out most of the ceremony. He made such a big deal about it for the past month. Did anyone else think he was getting high backstage?

The winners started out optimistically, with Alice in Wonderland taking Best Art Direction and Inception taking Best Cinematography. It was enough to suggest that perhaps a major upset was in store for The King's Speech. Instead, as we reached the end, it sunk in that this was just a major misfire. Most of the deserving films and filmmakers in each category weren't rewarded, such as Roger Deakins for True Grit, or Banksy for Exit Through the Gift Shop. True, there were some rewarding winners, such as Natalie Portman for Black Swan, Melissa Leo and Christian Bale for The Fighter, and Wally Pfister for Inception, but none of those could stop The King's Speech from walking away with an undeserved Best Picture win. Much worse, Tom Hooper won Best Director, stealing it away from five more deserving nominated directors, and countless others who weren't nominated. Will Gluck was more deserving for his work on Easy A. That's where I am?

So what did I enjoy about the show? Well, there's the aforementioned opening montage, as well as the montage for Best Picture. Those were effective, but the latter wreaked of The King's Speech. Even the producers of the show knew it was going to win. I'm probably the only one who loved the auto-tune segment, which was hilarious and off-kilter in the best way possible. I just loved it. What was the absolute best part of the show? Kirk Douglas' extended segment, obviously. The man is well past his prime, and that's the best thing about him. He just went on so hilariously, and it was hard not to burst into hysterical laughter at times. However, most times during the show, including those chanting children at the end, were overkill to the nth degree. For that, this is one of the worst shows in recent memory. Perhaps ever. It's something you didn't notice until all the proceedings were done with. Please comment below on your thoughts from the ceremony. Good? Atrociously and irreparably awful? Have at it!



D-

4 comments:

  1. why did you think the social network was going to win? It was good, sure, but it was no where near the caliber of The King's Speech. I just want to hear your two cents. and why was it a d-? I thought the right movies won, and there were a few upsets here and there

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  2. The D- was for the ceremony as a whole, which was far too childish and kinda sucked.

    As for "The King's Speech", are you kidding me? "The King's Speech" was quite possibly the weakest of the nominees, far too plain and predictable in appearance, impact, and outcome, and only boosted by Colin Firth's magnificent performance.

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  3. which was the driving force of them winning. It was elegant, but I loved it. I'm sorry you didn't like it. But the social network wasn't exactly the best movie either. And if you didn't want the social network to win, then i'm sorry for my bad memory, i thought you posted you wanted it to win, if not, sorry

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  4. I know that "The Social Network" wasn't the generation defining feature people make it out to be, but it was never meant to be. It's a wonderful story of brotherhood and betrayal, and if you take it as that, it's more than worthy.

    "The King's Speech" didn't have the same subtlety that I appreciate, and speaking of subtlety, the film I most wanted to win was "Black Swan". They were very careful about what they decided to show, and yet it was the most massively impactful feature of the year. Of course, I went into this knowing Oscar wasn't going to choose it, because they take at face-value, which they really shouldn't. There's so much more below the surface.

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