Tuesday, December 21, 2010

Power and Control: Best Performances in Otherwise Awful Films of 2010

5. Will Ferrell as Allen Gamble (The Other Guys)

I often have double takes about exactly what I thought of Will Ferrell's performance in The Other Guys, because even though a lot of people enjoyed it, I just ended up hating it. So, as is the case with many an awful film, it's difficult to pick out somebody and say they did well. I've never been a fan of Will Ferrell, but the fact of the matter is that he steps up his game for this one. He's not the same sort of child in an adult's body. He was actually a pretty decent guy, and his character felt closer to what a real person would be like in those situations. Wildly and ignorantly out of control, but close to realistic. The script just doesn't serve him well enough, as it should. Luckily, he had Megamind to turn his year around.

4. Taylor Swift as Veronica (Valentines Day)

This is probably the best cameo appearance of the year, and it's in a film that I didn't even end up paying to see. Valentines Day is the traditional romantic comedy that uses all the pathetic jokes that have been used in the genre before, as well as the same cliches. The one aspect of the film that I was ever on board with was the Taylor/Taylor cameo, featuring Lautner and Swift as a high school couple. Lautner does a pretty traditional job, but you'd have to have a cold heart of stone not to like Taylor Swift. She's always put forward that adorable and bubbly persona that put everyone on her side when Kanye West ruined her VMA moment. Here, she just displays a pure sense of joy that the rest of the film is surprisingly lacking. Feel free to rail against my choice, because I expect. I'm just glad that I'm not the only one who feels this way.

3. Alfred Molina as Maxim Horvath (The Sorcerer's Apprentice)

I both hate and love that my impatience to see Inception eventually pushed me to see this film. I knew long before the trailer came out that this film was prematurely busted and broken. There is no dignity in remaking the beloved musical short of the same name, and then reformatting it as a live-action adventure. Nicholas Cage doesn't help credibility either. The one thing that this film had going for it was Alfred Molina, the patron saint of fantastic actors in bad films. The man is always placed into these truly awful films, and he's usually the most likable actor of the group. He's got a deceptive charisma about him, and that fits most of the villains he plays. Horvath isn't exactly a well written character, but Molina's personality just clicks with relish, and we too relish every moment he's onscreen, because for that moment, The Sorcerer's Apprentice isn't painful to sit through.

2. Carey Mulligan as Cathy H. (Never Let Me Go)

Never Let Me Go was the ultimate love-it-or-hate-it film of 2010, and I unfortunately ended up in that second group of people. I know that the film must have been impeccably crafted, but it just didn't rub off on me the way it should have. Kiera Knightly and Andrew Garfield's performances began to grate on my about halfway through the film, because they both had an expiration date. Carey Mulligan, on the other hand, proved that her spectacular performance in An Education wasn't just a fluke. She doesn't have to carry this film on her shoulders, but she does, and she does it with a rich sentimentality and deep sorrow. Her character has never had hope, but she'd like to believe that it exists. It's a sweet performance tucked into a cold narrative.

1. Jeff Bridges as Kevin Flynn (TRON: Legacy)

You've already heard me attest to everything that is wrong with TRON: Legacy. It's derivatively plotted, it trucks along rather aimlessly at some points, and it's just a simple plot stretched out illogically to make it seem complex. It's all but saved by the music, the visuals, and most importantly, Jeff "The Dude" Bridges. I put an emphasis on "The Dude", because that's basically who the character of Kevin Flynn has become. He's been in this tripped out land of cyberspace for what must have been centuries, with his only real companion being an extremely hot higher being with stunning black hair. At the same time, he's got a major slice of God in him, with his unprecedented desire to do the right thing, no matter the cost. It's an especially poignant work that Bridges pulls off with flawless grace. Very few things in this film could have been said to be perfect. Bridges is one of them.

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