Showing posts with label The Sorcerer's Apprentice. Show all posts
Showing posts with label The Sorcerer's Apprentice. Show all posts

Tuesday, December 21, 2010

Power and Control: Best Performances in Otherwise Awful Films of 2010

5. Will Ferrell as Allen Gamble (The Other Guys)

I often have double takes about exactly what I thought of Will Ferrell's performance in The Other Guys, because even though a lot of people enjoyed it, I just ended up hating it. So, as is the case with many an awful film, it's difficult to pick out somebody and say they did well. I've never been a fan of Will Ferrell, but the fact of the matter is that he steps up his game for this one. He's not the same sort of child in an adult's body. He was actually a pretty decent guy, and his character felt closer to what a real person would be like in those situations. Wildly and ignorantly out of control, but close to realistic. The script just doesn't serve him well enough, as it should. Luckily, he had Megamind to turn his year around.

4. Taylor Swift as Veronica (Valentines Day)

This is probably the best cameo appearance of the year, and it's in a film that I didn't even end up paying to see. Valentines Day is the traditional romantic comedy that uses all the pathetic jokes that have been used in the genre before, as well as the same cliches. The one aspect of the film that I was ever on board with was the Taylor/Taylor cameo, featuring Lautner and Swift as a high school couple. Lautner does a pretty traditional job, but you'd have to have a cold heart of stone not to like Taylor Swift. She's always put forward that adorable and bubbly persona that put everyone on her side when Kanye West ruined her VMA moment. Here, she just displays a pure sense of joy that the rest of the film is surprisingly lacking. Feel free to rail against my choice, because I expect. I'm just glad that I'm not the only one who feels this way.

3. Alfred Molina as Maxim Horvath (The Sorcerer's Apprentice)

I both hate and love that my impatience to see Inception eventually pushed me to see this film. I knew long before the trailer came out that this film was prematurely busted and broken. There is no dignity in remaking the beloved musical short of the same name, and then reformatting it as a live-action adventure. Nicholas Cage doesn't help credibility either. The one thing that this film had going for it was Alfred Molina, the patron saint of fantastic actors in bad films. The man is always placed into these truly awful films, and he's usually the most likable actor of the group. He's got a deceptive charisma about him, and that fits most of the villains he plays. Horvath isn't exactly a well written character, but Molina's personality just clicks with relish, and we too relish every moment he's onscreen, because for that moment, The Sorcerer's Apprentice isn't painful to sit through.

2. Carey Mulligan as Cathy H. (Never Let Me Go)

Never Let Me Go was the ultimate love-it-or-hate-it film of 2010, and I unfortunately ended up in that second group of people. I know that the film must have been impeccably crafted, but it just didn't rub off on me the way it should have. Kiera Knightly and Andrew Garfield's performances began to grate on my about halfway through the film, because they both had an expiration date. Carey Mulligan, on the other hand, proved that her spectacular performance in An Education wasn't just a fluke. She doesn't have to carry this film on her shoulders, but she does, and she does it with a rich sentimentality and deep sorrow. Her character has never had hope, but she'd like to believe that it exists. It's a sweet performance tucked into a cold narrative.

1. Jeff Bridges as Kevin Flynn (TRON: Legacy)

You've already heard me attest to everything that is wrong with TRON: Legacy. It's derivatively plotted, it trucks along rather aimlessly at some points, and it's just a simple plot stretched out illogically to make it seem complex. It's all but saved by the music, the visuals, and most importantly, Jeff "The Dude" Bridges. I put an emphasis on "The Dude", because that's basically who the character of Kevin Flynn has become. He's been in this tripped out land of cyberspace for what must have been centuries, with his only real companion being an extremely hot higher being with stunning black hair. At the same time, he's got a major slice of God in him, with his unprecedented desire to do the right thing, no matter the cost. It's an especially poignant work that Bridges pulls off with flawless grace. Very few things in this film could have been said to be perfect. Bridges is one of them.

Sunday, July 25, 2010

Box Office Report: Inception Holds Up Phenomenally!

Excuse my enthusiasm, but I'm just so happy that Comic Con is (almost) over. I can finally get back to my two to three post a day quota, instead of the frenzied flood of news that's come in the past few days. Now I can calmly break down the movie events that happened outside of San Diego with this week's Box Office Report. Inception took first for the second week in a row with 43.5 million, dipping just 30%. The film currently has over $140 million after just ten days, so any speculation that Chris Nolan's mindbender wouldn't register with audiences was completely unfounded.

As for the competition, Salt came in second with $37 million, a decent opening, but nothing spectacular. Expect the thriller to end up with $100 million at the end of its run. Ramona and Beezus opened in sixth with $8 million. That's really all that can be said about that. Were we really expecting something different? Despicable Me had another small dip of 26%, leading to $24 million this weekend, adding to its total of $161 million. The animated film will likely hold up for the rest of its time in theatres, leading to a hault at about $220 million.

The Sorcerer's Apprentice didn't fall quite as much as I predicted, and took in $9.6 million over the weekend. The fantasy film currently has $42 million in the bank. Meanwhile, Toy Story 3 continued its phenomenal summer with $9 million coming out of this weekend. The animated epic now has $379 million, and will definitely be passing $400 million before the summer is over. I'd also like to inform people how successful the worst films of the summer have been. Grown Ups currently has $142 million, Twilight: Eclipse is sitting pretty at $279 million (I hate it when small budget films make a ton of money), and The Last Airbender has reached $123 million.

In limited release, The Kids Are All Right took in $2.6 million from 200 locations. The film has almost $5 million so far, and is almost guaranteed an Oscar nomination for Best Picture. Winter's Bone took in $0.3 million, adding to a total of $3.5 million. Overall this weekend was a 10% lift from the same weekend last year when G-Force opened, but a 10% drop from the same weekend two years ago.

Sunday, July 18, 2010

Box Office Report: Inception begins at #1!

Given the mountain of hype surrounding Inception, you'd expect the film to open upwards of $70 million. However, given the fact that it's an original film with a complex premise, a 2 and a half hour running time, and presented in 2D instead of the money grabbing prices of 3D, I'm going to consider $60 million a success. It's Leonardo DiCaprio's biggest opening weekend, which begs the question of exactly how popular this actor is to audiences. Given the fact that both he and the rest of the cast and crew give effortlessly work to the film, and that it has been registering pretty positively with audiences, I can see the film holding up over the rest of it's run, and perhaps ending up with $250 million.

As for The Sorcerer's Apprentice, it took in $17 million this weekend. Big surprise, considering the negative reaction and the fact that it opened next to Christopher Nolan. Despicable Me held on to audiences with $32 million in its second weekend, adding to its total of 118 million. Twilight: Eclipse took in 13.5 million, and Toy Story 3 took in $11 million. Predators took a 71% drop to eighth. This weekend was down from the same last year when Harry Potter and the Half-Blood Prince debuted in #1.

Saturday, July 17, 2010

The Friday Take: July 16th

Well, Inception led the crowd on Friday, as if that weren't obvious already. My only breath of disappointment is in its $21.6 million take on its first day, and that includes the $3 million it got from midnight showings. So what does that mean for the rest of the weekend? For one thing, it'll likely hit well below my generous prediction of $87 million, and it'll probably end up with $60-65 million out of the weekend. Then again, the film could dazzle audiences enough to prove more powerful on saturday and sunday, and depending on how word of mouth for the film plays out, this may be one of the better hits of the summer, and one of the few that lasts.

As for The Sorcerer's Apprentice, the film took in 5.4 million, which should lead it to a total weekend gross of $15 million or so. Despicable Me held up impressively with $10 million from friday, and it could end up with $30 million by the end of the weekend. Twilight: Eclipse continued to tumble with $4 million coming to it on friday, and may just slip below Toy Story 3's weekend total, the Pixar sequel taking in 3.5 million from friday. I suppose I probably overestimated this weekend's potential, but honestly, when's the last time we got a great live action movie that had us completely involved from start to finish?

Friday, July 16, 2010

Weekend Update: 3rd Week of July

As usual, nothing really extraordinary coming out this weekend. The Sorceror's Apprentice disappointed on its wednesday opening with $3.8 million, not boding well for its take this weekend, which will probably end around $15 million. I can't really see it standing a chance against Despicable Me's second weekend. I can't expect a huge drop, so we'll probably see it taking in about $37 million. I'll bet that Predators and Twilight: Eclipse will dip below Toy Story 3 this weekend, with those first two taking in about $12-14 million, while the latter rakes in a fantastic $17 million. I can only see this weekend being something of a disappointment.

On the other hand, there is this little personal peice by Christopher Nolan, the guy who made Memento and Insomnia. He's been known for making those intimate detective films, and his new film Inception seems to be keeping with that. The characters look interesting, and it looks like it may have a little bit of action to it. Reviews have been either praising it, or calling it confusing. It could be both, but that's not nescessarily a bad thing. Most people are predicting the film to take in some small bit of cash like $60 million, but I think it may be a bit of a surprise success, so I'm going to say it'll take in precisely $87,642,854‏. It's just a guess. We'll see how it works out.