While praising the film for being both enjoyable, and an improvement on the first film, critics still remain weary of the flaws in this production. Kirk Honeycutt of The Hollywood Reporter noted "Stone gets too fancy here and there. He and his Alexander cinematographer Rodrigo Prieto swoop the camera around Manhattan as if it were attached to a bird. A heavy reliance on multiple screens, graphics and digital tricks makes it feel like one is watching CNN with all its computer-screen busyness." The overwhelming critical message has been that this is one of the better sequels of our time, so it's nice to know something good's coming out of Cannes.
No comments:
Post a Comment