I've been so desperate to revisit "Drive" since it came out two months back, and it's all too difficult as the film has exited the majority of theaters out there. That is a point of frustration that I simply cannot get over. I often think of how the added parts of "Drive", along with the vision of Nicolas Winding Refn, make it much more than it could have been. The sound design of the film, while not quite so meticulous, is nonetheless crucial in its choices of when it comes in and moves out. "Spot on" is the perfect phrase for this particular film, in most every aspect.