Showing posts with label The Amazing Spiderman. Show all posts
Showing posts with label The Amazing Spiderman. Show all posts

Sunday, August 5, 2012

Box Office Report: "Recall" falters as cinema recovers

It's been a solid two weeks since I tuned in on the box office, for the most part because it's had quite a downward tumble in the wake of the Aurora shootings. It was expected that we'd have a dry rest of the season following "The Dark Knight Rises", but audiences have generally felt rather shy and hesitant regarding cinematic endeavors of recent weeks. Out of lack of options, I only revisited the theater recently, all to share the experience of "Magic Mike" with somebody else. It feels like the trip to see a movie has taken on a greater symbolic meaning, as it's about the act of sharing with somebody, amongst a theater of similarly bound individuals.

Thus it makes sense that "Total Recall" didn't really call out to audiences as joyous experience to share. Perhaps on some father-son level, but outside the male crowd, I don't see this playing too widely. Even there, most guys are still experiencing "The Dark Knight Rises", which is growing a few stronger legs than it initially had. The weight of critical disappointment and the unfortunate event that introduced it to theaters took its toll in a very frontloaded fashion. That's working to the film's advantage now, as some stragglers are coming along to it, and if for no other reason than not having better options, plenty are revisiting.

Tuesday, July 24, 2012

Box Office Report: "Dark Knight" rises amidst tragedy

No box office analysts could have predicted the turn this weekend would take, and everything stopped dead in its tracks when news came up from Friday morning. Box office statistic were thoughtfully abated until Monday, so as to not trivialize the tragic events looming over this weekend. Needless to say "The Dark Knight Rises" probably would have fared much better had none of this happened, with some saying it was on track for upwards of $200 million, stomping out "The Avengers"' stronghold over this summer. Christopher Nolan action flick still did rather well in comparison to ordinary releases, even if it didn't come close to setting records. Expect this film to just barely skip past $400 million by the end of its run.

Box office in general took a heavy dive this weekend; with scarcely a single film dropping below 50%. The two occasions in the top ten were "Brave", likely benefiting from the "go out and see a film without people you love" statement many pushed at the start of the weekend. "The Amazing Spider-Man" took the nastiest dive, smothering chances of it getting anywhere close to $300 million. "Ted" is seeming more and more like the success story of the summer, playing favorably with most crowds. Indie films "Moonrise Kingdom" and "To Rome With Love" continue to be some of the strongest holders on the box office.

Sunday, July 15, 2012

Box Office Report: "Ice Age" melts as "Moonrise" rises

We may be getting stuck in the doldrums of summer, I fear. A weekend filled with films earning a lot of money is garnering merely a shrug out of me. Admittedly, that's much the way I am during the summer, with "Moonrise Kingdom" being the only success story that merits emotional resonance from me. The audience circus that is box office stats, while I occasionally enjoy commenting on it, wanes with the years as the sums get larger and real success seems a much smaller thing. For example, on some scale "The Amazing Spider-Man" is doing rather well. It's on its way toward $300 million by the end of its run. And yet not only is it meager in the face of the success of the original "Spider-Man" and "Spider-Man 2", but it'll barely register by the year's end.

True box office achievements are stated by two things: 1) the exceptional quality of the film it belongs to ("Twilight" and "Hunger Games" do not count), and 2) contrast to the average box office of its type of film. Take "Moonrise Kingdom" for example, as usually indie films do not register with mainstream audiences. Not only is it continuing to fare extremely well throughout the summer, but it also happens to be Wes Anderson's most inspiring creation to date. Contrast that with "Ice Age: Continental Drift", which opened in line with its predecessors, sure, but nearly $15+ million below any of the other major animated openings this year. Add to that reviews similar to those of every other film in the franchise, we get something that's not all that interesting to comment on.

Thursday, July 12, 2012

Weekend Forecast: "Ice Age" heats things up

I think 20th Century Fox is fully aware of the irony in releasing the films in their "Ice Age" franchise in the heat of the summer. Perhaps that's a strong reason to their success, being the most natural sense of escapism. It's also probably because the "Ice Age" franchise is one of the funniest of juvenile kids franchises. I admit that I've had an absolute ball with all three of the films so far, most especially "Dawn of the Dinosaurs". I'd be tempted to see it in theaters myself if I weren't saving up for bonus cost of IMAX for a certain feature releasing next Friday. If "Continental Drift" balloons to success this weekend, I wouldn't be surprised if it were to forestall the anticipation of Christopher Nolan's latest.

As for the holdovers, what can you expect beyond the inevitable fact that they'll continue to do well? "Spider-Man" is well on its way to scrape the bottom of $300 million by the end of its run, and it's been playing extraordinarily well overseas, so that absolutely confirms a sequel. The rest of the weekend's winnings will be split between "Ted", continuing on its summer winning streak, "Brave", and "Magic Mike". Other than that, I don't suppose we can expect a $200+ million opening for "Alps", can we?

Sunday, July 8, 2012

Box Office Report: "Spider-Man" leads "Amazing" weekend

My worries of a large dip for "Amazing Spider-Man" were apparently unfounded, as the film performed rather positivity anyway. The more I dwell on it, the more I think this proposed trilogy is salvageable, provided they find the right director for the follow-up (can I start by pitching David Cronenberg?). Sure, the reboot didn't perform nearly the same numbers as any of Raimi's trilogy, but reboots generally have a tough time inspiring new followers. In comparison, it's fared much better than the openings for "Batman Begins", "Superman Returns", or "The Incredible Hulk" ($48.7, $52.5, & 55.4, respectively). The film is tracking for a $300 million finish, which is fantastic with all things considered.

The real success story of the summer, currently, continues to be "Ted", to which aspirations were made to "The Hangover" very early on. Seth MacFarlane's talking-teddy comedy is holding extremely well, and considering there isn't a comedy to steal its audience for another three weeks, one could expect it to continue its victory run. Talking of which, "Brave" continues to be a return to form for Pixar, at least in terms of box office success. It seems destined for the same average as predecessors such as "Cars" and "WALL-E". "Savages" fell to a middling status debut, despite aspirations of wider audience acceptance.

Friday, July 6, 2012

Weekend Forecast: "Spider-Man" fights off "Savages"

"The Amazing Spider-Man" may be the buzz of the weekend, but the weekend is proving to be somewhat dicey territory for the superhero reboot. The film's been taking a box office tumble over the past few days, and it could have a tough time maintaining audience favor this weekend. The way it premiered on tuesday made it look prime for a big weekend, but now it's back down to ground level. One could expect it to go the usual way of $60+ million opening, which should be pretty positive given the recent developments. It's one of those things that's too soon to say because we don't know the trend it's on yet.

Its competitor, Oliver Stone's "Savages", could be in for a bigger debut than people are allotting it. It seems like the sort of film that draws in male centric audiences with a fever before quickly dissipating. Think "Predators" of two years ago, and the general feel that surrounded that action flick. As for holdovers, you can expect "Ted", "Magic Mike", and Brave" to all hit somewhere in the $20+ millions, which should easily put us over last year when "Zookeeper" and "Horrible Bosses" had disappointingly big debuts on their hands while "Transformers 3" continued its massive run.

Wednesday, July 4, 2012

Film Review: "The Amazing Spider-Man" (**1/2)

The franchise reboot is a move that's almost always been met with criticism, or at least skepticism. Before Christopher Nolan brought "Batman Begins" for judging, most didn't even indulge the idea of a solid Batman film after "Batman and Robin". Same goes for "Star Trek" showing up after the maligned "Nemesis". "The Incredible Hulk" came under fire for its close proximity to the previous rendition, though it admittedly had itself more self-knowingly put together than Ang Lee's version. "The Amazing Spider-Man" has it toughest because it's coming on the heels of a franchise that rendered two quite wonderfully entertaining entries before being collapsed by studio self-interest.

We have to feel bad for Sam Raimi, who was preparing "Spider-Man 4" all in the midst of Sony planning to reboot the franchise altogether. In the grand scheme, it seems rather juvenile of them to trash the entire future of that franchise for the critical failures of "Spider-Man 3". What's even more juvenile is that Sony themselves were responsible for the overloads of plot glut that many blamed for the film's weaknesses. They were able to get away with the move, however, thanks to some crowd-pleasing casting of Andrew Garfield, Emma Stone, and the hiring of "500 Days of Summer" director Marc Webb.

Thursday, June 28, 2012

Films to See in 2012: July

We are, rather officially as it turns out, in the full storm of summer, though it really feels like its dying throes at this point. Of course, we do have the most ridiculously anticipated film of the year, but besides that the gems are rather wide spread. Don't read me the wrong way, since from the very start we have some potentially fantastic cinema on our hands. "The Amazing Spider-Man" is only days away, and seems all the more like a nice, if relatively minor, superhero escapade. Less optimistically on the roster is Oliver Stone's "Savages", which seems like a misfire in the same degree as "Wall Street: Money Never Sleeps". Even far less promising is "Katy Perry: Part of Me 3D", the latest in a run of concert films that really do not need to happen.

The following week gives us both something more, and something less. On the former side is "Ice Age: Continental Drift", and given that franchise has proven guiltily quite fun, I wouldn't be disinclined to experience this latest adventure. There's also "Red Lights", which looks extremely pointless, much like the career of Robert De Niro at this point. We know what comes the following week, and we'll get more on that later. The last week of the month is a full serving of mainstream comedy ("The Watch"), pointless franchise retread ("Step Up Revolution"), and dark comedic plant ("Killer Joe"). And then there's...

Saturday, February 11, 2012

"The Amazing Spider-Man" Trailer 2

Wow, I really have been out of the loop. I need to get back in the way of posting things the moment they come along. One of the bigger trailers to come along this week was for Marc Webb's reboot of "The Amazing Spider-Man". I admit that I was and am still quite interested in whatever they're putting to work on this one, if only because I'd like to see what else they have to say about the character at this point. Tobey Maguire's depiction of the characters was kind of dopey; like a kid who thought he was cooler than other people thought he was, but he's not. This seems to be "Spider-Man" for the hipster generation, which I think is kind of cool.

Wednesday, July 20, 2011

"The Amazing Spiderman" Teaser Trailer

Okay, I'm officially done being angry at the reboot of the Spiderman franchise, because it looks like director Marc Webb has done quite a lot to distance it creatively from Sam Raimi's trilogy. Something that Raimi really glossed over was Peter Parker's childhood life. His polarization from the social community of school, and his relationship with his deceased parents were never really delved into. I find it really interesting that this film is looking into that, and I find Emma Stone's Gwen Stacy to be infinitely more likable than Kirsten Dunst's Mary Jane. There's a slight feeling of it being just another once-over, but I'm being optimistic with The Amazing Spiderman. I like it.

Tuesday, February 15, 2011

Expectations vs. Reality

Happy day after Valentine's Day, when the desperate one-night-stands have all but expired and the drunken hangovers ensue. My apologies for not having anything to say yesterday, but there quite honestly wasn't much to say. Life, in general, isn't spent in happiness. Probably the best film to illustrate that was (500) Days of Summer, a film that some say is overrated, but I find touching to the soul. I'm so glad that director Marc Webb is taking on the Spiderman reboot, now officially entitled The Amazing Spiderman. Hopefully he adds as much emotion and realistic style as he brought to his debut feature. An interesting fan video did a mashup of The Social Network and the wonderful "Expectations vs. Reality" scene in (500) Days of Summer. It's an inspired idea, but extremely underdeveloped, so if somebody savvy with editing software thinks they can make a better version, consider this a challenge. I've got the mashup embedded below, and a bit of the clip from the original film below that. At the very least, enjoy!