Box Office Update: "Help" Takes it by Storm

I suppose the box office could've tanked a lot more than it did, given the much buzzed about hurricane making its way across the east coast. I have to say that I'm personally underwhelmed by Irene, but it'll do to keep things interesting till we get some quality films our way. For now "The Help" continues to clean up the box office field, just coming shy of $100 million. I admit to completely forgetting of its staying power until it cropped up again this morning. I was focused on the new, which isn't all that interesting.

It shouldn't be surprising that "Columbiana" dominated amongst the new releases, given its action film orientation. I'd be tempted myself if I didn't know that they probably won't be repeating "never forget where you came from" to ridiculous extent as in the trailer. "Don't Be Afraid of the Dark" was close behind, which is interesting as there isn't really a demographic for it. I guess that's why it didn't break $10 million. "Our Idiot Brother" was the lowest of the new releases, which is no surprise given it's indie reputation. Doesn't play as broadly as comedies like "Horrible Bosses". Also to no surprise, this weekend performed more than 20% down from last year. Same can be expected from next weekend.

1. "The Help" (Third Weekend; $14.3 million)
2. "Columbiana" (First Weekend; $10.3 million)
3. "Don't Be Afraid of the Dark" (First Weekend; $8.7 million)
4. "Rise of the Apes" (Fourth Weekend; $8.7 million)
5. "Our Idiot Brother" (First Weekend; $6.6 million)
6. "Spy Kids 4" (Second Weekend; $5.7 million)
7. "The Smurfs" (Fifth Weekend; $4.8 million)
8. "Conan" (Second Weekend; $3.1 million)
9. "Fright Night" (Second Weekend; $3 million)
10. "Crazy, Stupid, Love." (Fifth Weekend; $2.9 million)

Box Office Update: "Help", I Need Somebody!

If I had some sort of foresight on the box office of this weekend, I'd have taken the time out of my weekend to see "Fright Night". It is unfair that that should hit below $10 million. That being said, I still won't see it, if only because I'd rather see something great instead of something merely adequate. Hell, I'm even shelling out some pity for "One Day", which maybe received too much of a critical bashing. I think people were pissed it wasn't the second coming of "An Education", and they immediately wrote it off. I certainly did, without seeing it. I doubt I'd like it too well, but I'm not a huge fan of romances.

On to the real winner of the weekend, "The Help" came out on top, having only dipped % from last weekend. I guess I was right to assume that people would flock to it. It's an extremely likable film. I could see it going on to surpass "Rise of the Planet of the Apes" at this point. The science fiction reboot isn't declining massively, but at a steady pace of which you could expect. It certainly has more staying power than some other notable blockbusters. As for the other new releases I don't really care about, obviously they were the bigger successes. "Spy Kids 4" proved most successful, a horrific crime against nature in my opinion, with "Conan" just behind it.

Of course, what could you have expected with August beginning to draw to a close. There's always been that expectation of something lesser as the most successful part of the year closes out. Next week's slate does have its work cut out for it, as there was a slight resurgence at the end of last summer with "Takers" and "The Last Exorcism". I suppose that "Columbiana", "Our Idiot Brother", and "Don't Be Afraid of the Dark" are somewhat up to the task. They're covering the market pretty well.

1. "The Help" (Second Weekend; $20.5 million)

2. "Rise of the Planet of the Apes" (Third Weekend; $16.3 million)

3. "Spy Kids 4" (First Weekend; $12 million)

4. "Conan" (First Weekend; $10 million)

5. "The Smurfs" (Fourth Weekend; $8 million)

6. "Fright Night" (First Weekend; $7.9 million)

7. "Final Destination 5" (Second Weekend; $7.7 million)

8. "30 Minutes or Less" (Second Weekend; $6.3 million)

9. "One Day" (First Weekend; $5.1 million)

10. "Crazy, Stupid, Love" (Fourth Weekend; $4.9 million)

Box Office Update: "Help" Wins Under "Rise"

If things seem somewhat tried and redundant in the coming weeks, it's frankly because there's absolutely nothing new to say. "Rise of the Planet of the Apes" looks to be the last major blockbuster of the summer, still holding the top slot for the second consecutive weekend. That wouldn't be such a major accomplishment if things had unfolded as predicted, but "The Help" was a surprisingly strong debut. Much as I hoped, audiences have been reacting to the drama positively in all corners. It certainly shows up the other debuts this weekend.

"Final Destination 5" couldn't scrape $20 million, so things may be coming to a halt for the horror franchise. "The Smurfs" continues to reap more cash than it deserves, now climbing past $100 million. "30 Minutes or Less" proved to be mostly a failure, due likely to negative reviews and some controversy over real life events. "Glee" didn't even scratch the top ten, falling at number 11 with under $6 million. Things are still generally more positive than the end of last summer, but that could change somewhat quickly.

1. "Rise of the Planet of the Apes" (Second Weekend; $27.5 million)

2. "The Help" (First Weekend; $25.5 million)

3. "Final Destination 5" (First Weekend; $18.4 million)

4. "The Smurfs" (Third Weekend; $13.5 million)

5. "30 Minutes or Less" (First Weekend; $13 million)

6. "Cowboys and Aliens" (Third Weekend; $7.6 million)

7. "Captain America" (Fourth Weekend; $7.1 million)

8. "Crazy, Stupid, Love" (Third Weekend; $6.9 million)

9. "Deathly Hallows: Part 2" (Fifth Weekend; $6.8 million)

10. "The Change Up" (Second Weekend; $6.2 million)

Box Office Update: Substantial "Rise" as summer falls

I know it's strange, but I miss this site being, or at least feeling, important. Across the past few weeks I've fallen into a bit of a slump, and I am dearly sorry for that. I'm not in a very endearing or motivating environment, so that makes me feel quite often like I'd rather do nothing. So for the next few weeks leading up to September you're going to be seeing a major resurgence in activity on the site. I'm going to try to talk about something every day, even if there's nothing to talk about in the news. I'm going to get back to my roots of indulging in more trivial news for the sake of anger and enjoyable reading.

So now on to the box office, which was surging this weekend. I'll be getting to my thoughts on Rise of the Planet of the Apes soon enough, and though I'm not quite ecstatic about it, it is better than the film that debuted in this frame last year, The Other Guys. I was surprised by how well the film played with audiences, and should continue to play in the coming weeks of the summer. With little competition in its way, it could have stood out as a sleeper hit if the opening wasn't so great. It still could stick out in that way, but that's for next weekend to tell.

The rest of the box office was successful, but disappointing due to the films they belonged to. The Smurfs rose to $76 million, beating out Cowboys and Aliens after an indecisive finish last weekend. The latter film rests a gulf of $10 million behind, and that gap will only increase in the coming weeks. The Change-Up happily disappointed, with one of the lowest opening for a comedy this summer. Ryan Reynolds has not had a good summer, nor has he deserved one. Captain America still lags slightly behind Thor, but is generally positive at the present time.

Box Office Update: "Cowboys" Gets "Smurf"ed

I'm sorry Damon Lindelof, but you really shouldn't have brought it up in the first place. While some will gripe that both films opened about equally, Cowboys and Aliens had more potential and expectation going into this weekend, so the adequate opening weekend gross just doesn't match up. The Smurfs, on the other hand, played higher than it was expected or deserved to, so it's kind of the champion of this weekend, regardless of what Monday's numbers say. In other news, completely unrelated to the colossal debuts this weekend, Captain America dove 61% from last weekend, showing that it doesn't have quite the same staying power as Thor did in May.

Deathly Hallows: Part 2 continues to do really well despite the expected massive drop in its second weekend. Sadly, you can tell my disposition about the film from how I only refer to it as Deathly Hallows: Part 2, and not Harry Potter. Crazy, Stupid, Love is faring as you'd expect a standard rom-com to nowadays. The superior Friends with Benefits dipped precisely 50%, and should hopefully hold up better than the former. So expect the box office to hit a massive slump after this weekend, much like it did last year.

1. The Smurfs (First Weekend; $36.2 million)

2. Cowboys and Aliens (First Weekend; $36.2 million)

3. Captain America: The First Avenger (Second Weekend; $24.9 million)

4. Deathly Hallows: Part 2 (Third Weekend; $21.9 million)

5. Crazy, Stupid, Love (First Weekend; $19.3 million)

6. Friends with Benefits (Second Weekend; $9.3 million)

7. Horrible Bosses (Fourth Weekend; $7.1 million)

8. Transformers: Dark of the Moon (Fifth Weekend; $6 million)

9. Zookeeper (Fourth Weekend; $4.2 million)

10. Cars 2 (Sixth Weekend; $2.3 million)

Film Review: "Crazy, Stupid, Love" (**)

In a summer where I'm simply begging for a romantic-comedy that takes things seriously, Crazy, Stupid, Love was the biggest opportunity I could have wished for. I often wonder how things that seem so clearly easy to make wonderful take a turn for the worst for no reason. Earlier this week I spoke of how Friends with Benefits managed to be about more than just its title, and that's made it so worthwhile. The problem with this film is that it's entirely too much about its title, and sadly not just the "Love" part.

The film has many different branching subplots, but it starts out with Cal Weaver, a divorced man who is trying to establish himself after his marriage. He ends up forming an unlikely friendship with Jacob, a smooth-talking womanizer who tries to reform Cal to being a more functioning human being. In the meantime, Jacob is falling for beautiful and sassy red-head Hannah, which raises complications late in the game. Also, Cal's son Robbie has a crush on his babysitter Jessica, who coincidentally has a crush on Cal. If this all sounds so predictable and sad, that's because it is.

The Weekend Report: Craziness and Insanity

I've got one foot out the door on my way to my legitimate job, as in the one that pays for me to see films every week, so I'm going to have to make this short. I'm not so sure about the box office prospects for Cowboys and Aliens, because I imagine many have the same trepidation about it that I have. I'm not going to see it in theaters, but I oddly hope it does well. God forbid the western genre die from another blockbuster hit. I can see Crazy, Stupid, Love doing really well this weekend, and it could give Ryan Gosling the heat he needs to escalate his career in the coming weeks with Drive and The Ides of March. I don't want anyone to see The Smurfs, because that's just child cruelty. Who would do that?

For Your Anticipation: Leading the Witness

I wouldn't have guessed that Crazy, Stupid, Love would be the film I'd be most looking forward to see at the end of the month. I guess you could chalk that up to expectations not being met elsewhere. Or you could attribute it to the presence of a nicely assembled cast, not to mention a stylistic integrity. In a year so entirely about place and setting, this one isn't so much about broad landscapes or cities as it is about rooms. It adds another layer of interpretation onto the film, and the fact that people are taking these things so seriously this year impresses me. Also, Ryan Gosling looks fantastic in everything.

Films to See in 2011: July

So June went by with a deafening whimper, and as for how a whimper can be deafening, it's because you can't really hear anything. As May provided an excess of revitalizing filmmaking, not so much stunning as it was refreshing, June was the inevitable hangover. July is a spring of steady euphoria as we get back to some sense of sanity and stable thought. Transformers: Dark of the Moon switched months just after I posted my most anticipated films of June, so I'm tempted to rule July as an utterly depressing wreck starting out. Still, it will have that transforming robot heat going forward a few days ahead of time.

There are films that I am somewhat looking forward to, but don't quite break the top three. Horrible Bosses and Crazy, Stupid, Love both seem to go for the same sort of comedic demographic, with the latter having some sort of edge going for it, but both being general degradable. Friends with Benefits has more certain comedic spark, but I remain quietly skeptical. Captain America: The First Avenger seems to be on the same level of entertainment as Thor, so that's perhaps promising, but possibly disastrous. The biggest surprise omission is Harry Potter and the Deathly Hallows: Part 2, because even though I really loved Part 1, I expect a disappointing conclusion to the saga. That being said, I'm still very excited. So here are my picks, and you can comment below to tell me yours.

3. Tabloid

Directed by Errol Morris

The biggest barrier that modern moviegoers need to overcome is documentaries, because they're not always as depressing as Waiting for "Superman". Sometimes they're incredibly revealing and intense (The Cove), or spryly entertaining with a unique touch (Exit Through the Gift Shop). Tabloid looks like it's setting itself up in the ranks of the latter, looking at the true story of a woman who is either a monster or a victim, and I tend to believe the former. Then again, so little is told by the trailer that it's impossible to tell the eventual outcome of this film. I'm impressed when a doc tackles a little told and narrow subject only to reveal how fascinating it is.

Theatrical Trailer: Crazy, Stupid, Love.

I'm really not sure how this could really be possible, but for the first time in five years, I might actually like a Steve Carell film. The man hasn't had anything interesting coming for so long, instead opting for simple dumb comedies like Dinner for Schmucks and Evan Almighty. A film called Crazy, Stupid, Love doesn't sound so promising, but this trailer just won over me so completely. Yes, it has Steve Carell in the lead role, but it also has Ryan Gosling, Emma Stone, Julianne Moore, and Marisa Tomei. I know a great supporting cast doesn't make a good film, as made painfully obvious by The Lincoln Lawyer. However, this film just looks better than your average comedy. Nothing about looks typical in the least. I can't wait for this one. I might be anticipating it more than Deathly Hallows: Part 2. It looks like a great film, and it gets extra points for the Twilight joke.