Now we're to the stuff that's worth it. After last week's unqualified failure of a tribute to this ambiguous year for cinema, we now get something that's not only comprised of a wider berth of this year's cinema, but exceeds simply competent editing. From the first second, editor Matt Shapiro displays an outstanding ambition to do more than please casual viewers. It's a layered tribute to this year in cinema, finding diegesis within chaos in a wonderful way. And there are still more to come.
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