Showing posts with label Jackass. Show all posts
Showing posts with label Jackass. Show all posts

Thursday, June 23, 2011

Said & Dunn

There are deaths that come as a shock and add melancholic textured to any day, and then there are deaths that simply come as side-notes. And then there's Ryan Dunn, prominent member of the Jackass team, and he went out in such a way as you'd likely expect. Still, it came as something of a shock when I saw on twitter that his car flew through the air into a tree, at which moment it exploded. When I first read it, I was so sure that it was some kind of joke, because it just sounded so appropriate. Some things just sound too convenient to be true.

Of course, there is absolutely nothing convenient about Ryan Dunn's passing. I always thought that if one of the Jackass troop were to go out, they'd do it in dedication to their trade. In any case, in the aftermath of his death, there has been quite a bit of anger going back and forth twixt people. It started somewhere around the point where Roger Ebert tweeted "Friends don't let Jackass' drink and drive." That's easily the sort of statement that can cause an onslaught of anger from the twitter-verse, regardless of his intent in saying it.

It's hard to tell if people were angered by the insinuation that Dunn had been drunk driving, or the crass way in which he seemed to say it. It has since been confirmed that his blood toxicity level was above the permitted level, so any denial is foolish at this point. Still, what's the point in chastising somebody who lost their life in a fashion that could be seen as truly horrific. What's the point in blaming somebody for it? These things happen, and it's horrible, but I suppose it's just a reminder of how reality always dictates rules.

Sunday, November 14, 2010

Box Office Update: Safely Derailed

Well I'm feeling pretty confidant right now. Clearly not confidant enough to come up with a better title for this segment, but we can't expect all the problems with the world to be solved in one day, now can we? Needless to say that Megamind ended up keeping the top spot for one additional weekend, dropping a mere 35% despite the blunt force that Unstoppable was beginning to accumulate. Tony Scott's new thriller has a chance to post a higher total before the weekend is officially over, but I doubt it will end up topping the Dreamworks favorite. 3D sells when it is used properly and in service of a good story. As for Unstoppable, I'd much rather watch this SNL sketch that premiered last night than the actual film. You get the point easily from it.



Skyline didn't post a debut as high as analysts were expecting, though it somehow did break even this weekend due to a short budget. Morning Glory held up much better than I expected, though still nothing too impressive. Due Date dropped 52%, but only went down to third place, so it can still be called a success. Not as huge as The Hangover, but that's too much to hope for. For Colored Girls took to biggest drop of 65%, proving that audiences didn't quite adore it so much as expected. This weekend certainly paled in comparison to the same weekend last year, when 2012 opened in first with $65 million. Expect a huge increase next weekend when Harry Potter and the Deathly Hallows: Part 1 opens big while setting new records.

1. Megamind (Second Weekend; $30 million)
2. Unstoppable (First Weekend; $23.5 million)
3. Due Date (Second Weekend; $15.5 million)
4. Skyline (First Weekend; $11.7 million)
5. Morning Glory (First Weekend; $9.6 million)
6. For Colored Girls (Second Weekend; $6.8 million)
7. Red (Fifth Weekend; $5.1 million)
8. Paranormal Activity 2 (Fourth Weekend; $3.1 million)
9. Saw 3D (Third Weekend; $2.8 million)
10. Jackass 3D (Fifth Weekend; $2.3 million)

Sunday, November 7, 2010

Box Office Update: Mind Over Mindless

This was a pretty phenomenal weekend at the box office, for both films deserving of it and undeserving. Working from the top down, Megamind rightfully took first place thanks to the boost from 3D as well as some positive reviews. It's barely above the opening weekend that How to Train Your Dragon sustained before becoming the sleeper hit of the year. Hopefully positive word of mouth will boost the action-comedy to similar status. Meanwhile, Todd Philips' Due Date took second place with an opening not quite as high as The Hangover. The film was opening against largely mixed reviews that might have narrowed the amount of customers for the new film.

On the bottom of the spectrum for newly released films is Tyler Perry's
For Colored Girls, which opened to pathetic reviews which dispel any Oscar hopes the film had. However, it is from the illogically appealing Tyler Perry, so I guess it was always destined for box office success. It took third with a rather hefty total, but as with all of Perry's films, it will take a hit from negative word of mouth. Red held as strong as it has been for a while, keeping a solid standing the top five where other have been falling out. Saw 3D took a beating, falling north of 60% to fifth place. In all, this was a huge improvement on last weekend, and the same weekend last year when A Christmas Carol opened at the top spot.

1. Megamind (First Weekend; $47.7 million)

2. Due Date (First Weekend; $33.5 million)
3. For Colored Girls (First Weekend; $20.1 million)
4. Red (Fourth Weekend; $8.9 million)
5. Saw 3D (Second Weekend; $8.2 million)

6. Paranormal Activity 2 (Third Weekend; $7.3 million)

7. Jackass 3D (Fourth Weekend; $5.1 million)
8. Hereafter (Fourth Weekend; $4 million)
9. Secretariat (Fifth Weekend; $4 million)

10. The Social Network (Sixth Weekend; $3.6 million)

Sunday, October 31, 2010

Box Office Update: Oh, The Horror

I really do look forward to next weekend when I can get back to a more natural setting at the theaters. We've had quite a few weeks in which there's been only one notable release, and this weekend should've been a complete failure. It's what I expected, and it's what I actually hoped for. Instead, Saw 3D managed to rake in an dishonest living, grabbing the fifth highest opening weekend of the series. Of course, we should still expect it to take a huge dive next weekend, not only from competition in the 3D market with Megamind, but because of negative word of mouth.

Speaking of such word of mouth, it certainly took its toll on Paranormal Activity 2, which suffered a near 60% drop from last weekend. Jackass 3D took a similar drop of the same amount, but that can mostly be attributed to the fact that the film is really a one-and-done sort of affair. In any case, the film still passed the $100 million mark this weekend, so that's a plus. Oddly enough, Red overtook it this weekend, taking a steady 28% drop and remaining in third. In summation, this weekend was a good 8.1% rise from the same weekend last year.

1. Saw 3D (First Weekend; $24.2 million)
2. Paranormal Activity 2 (Second Weekend; $16.5 million)
3. Red (Third Weekend; $10.8 million)
4. Jackass 3D (Third Weekend; $8.4 million)
5. Hereafter (Third Weekend; $6.3 million)
6. Secretariat (Fourth Weekend; $5 million)
7. The Social Network (Fifth Weekend; $4.7 million)
8. Life as We Know It (Fourth Weekend; $4 million)
9. The Town (Fifth Weekend; $1.9 million)
10. Conviction (Third Weekend; $1.8 million)

Sunday, October 24, 2010

Box Office Update: High Activity

Marking another splendid weekend of October this year, Paranormal Activity 2 came out on top and set a horror film opening weekend record for the month of August. Given these strong numbers, one can easily expect to see another sequel in the works for release next year. Jackass 3D took a great 57% fall from last week, but that was expected for an opening of such magnitude as well as such hardcore competition opening. Red held on even better with a 31% fall, boding well for the coming weeks. Finally, a fair few film-goers went out to see Hereafter out of curiosity, leading a decent opening weekend, but not Eastwood's best.

1. Paranormal Activity 2 (First Weekend; $41.5 million)
2. Jackass 3D (Second Weekend; $21.6 million)
3. Red (Second Weekend; $15 million)
4. Hereafter (First Weekend; $12 million)
5. The Social Network (Fourth Weekend; $7.3 million)
6. Secretariat (Third Weekend; $6.9 million)
7. Life as We Know It (Third Weekend; $6.1 million)
8. Legend of the Guardians: The Owls of GaHoole (Fifth Weekend; $3.1 million)
9. The Town (Sixth Weekend; $2.7 million)
10. Easy A (Sixth Weekend; $1.7 million)

Sunday, October 17, 2010

Box Office Update: Sweet Simplicity

Lets not pretend like this has been a disappointing weekend, because it certainly wasn't by any degree. Perhaps a failure of intellect at the most, but not of entertainment or profit. This weekend had a lot of people going out to the theaters, mostly to see Jackass 3D. The film managed to garner the highest 3D opening weekend since Despicable Me, and the highest opening in general since Inception. The makers may have sacrificed their very well being by attempting to make this comedic venture become a reality, but if they keep raking in earnings like this, I'd consider it a successful investment.

Even Red was able to scratch out an earning against the competition. While not high for a comic book adaptation, when scaled as an average action flick, it did pretty well for itself. Audience appeal should carry it through the next two weeks before the rush of November. The Social Network kept intelligent audiences intact with a less than 30% drop from last weekend. The only other film to hold similarly was Secretariat, which seems to have the same staying power as The Blind Side had not even a year ago, at least in the box office. This weekend was a high rise from last weekend, even if it didn't quite match up to the same weekend last year when Where The Wild Things Are took center stage.

1. Jackass 3D (First Weekend; $50 million)
2. Red (First Weekend; $22.5 million)
3. The Social Network (Third Weekend; $11 million)
4. Secretariat (Second Weekend; $9.5 million)
5. Life as We Know It (Second Weekend; $9.2 million)
6. Legend of the Guardians: The Owls of Ga'Hoole (Fourth Weekend; $4.2 million)
7. The Town (Fifth Weekend; $4 million)
8. My Soul to Take (Second Weekend; $3.2 million)
9. Easy A (Fifth Weekend; $2.7 million)
10. Wall Street: Money Never Sleeps (Fourth Weekend; $2.4 million)

An Old Day in the New Town

I had a rather nice time at the local theaters yesterday, and it really got me thinking about an old idea that has been discarded with time. It makes sense, seeing as television, DVD, and bluray make a trip to the theaters almost obsolete, which is something I hope never takes complete hold over our society. There is absolutely nothing like the theatrical experience of watching a film, and the best theaters are designed to enhance that. They have a certain feeling of occasion that is frankly missing from the living room setting. Catching a film at home will never be as captivating or as satisfactory.

Getting back on topic to what yesterday got me wondering the most, why aren't television shows featured in theaters anymore? Yesterday morning, I walked over to the independent theater which was granting free entry to see Looney Tunes vignettes on the big screen, and it was actually rather fun. It was old style entertainment seen in an old fashioned way. Then, much later on, since Red remains temporarily out of my grasp, I took a stroll down to the more mainstream theater to see Jackass 3D. It would be too much of a gift to call what I saw a film. It's no more a film than two hours of Jersey Shore is.

That's not to say that it wasn't enjoyable throughout. As a matter of fact, it's got much more entertainment than most theatrical releases of its length this year. You'd be hard pressed to find somebody who doesn't cringe during this movie. There are many gag-worthy stunts they pulled, and I'm pretty sure that one person in the theater I was in threw up before the end of it. No, it certainly wasn't me. The 3D actually served some of their stunts better than it served such action films as The Last Airbender and Legend of the Guardians: The Owls of Ga'Hoole. It never felt like a film, but it the cinematic experience does enhance their television style antics.

It all made me wish that some of the common television shows of today got that screen treatment, without being made into feature films. I'm sure there are people who've wondered how fantastic the Lost finale would've been if shot in digital 3D and shown on the big screen. Or to see any of the episodes of this season of Fringe in that format. I'd definitely shell out a few dollars to see that. I'm not saying every show should do that. Who would actually go out to the theaters to see Glee or Grey's Anatomy on an 100 foot tall screen? If were going to talk insanity, lets tune it down to a realistic stand point. What shows would you like to see on the big screen? Comment below on your thoughts.

Saturday, October 16, 2010

The Weekend Report: All Up In Your Grill

There are really just two releases this week, and though it may not seem like it at first glance, they're actually not half bad. In fact, you really can't do much wrong this weekend. The best film in theaters to play your cards on is Red, starring Bruce Willis, Morgan Freeman, John Malkovich, and Helen Mirren. The film has a great ensemble cast, some nice humor, intriguing action, and little else. As long as a film has at least those three ingredients, it's a pretty safe film to go for. If it weren't for a few scheduling conflicts, I'd be seeing that this weekend. As it is, it'll be a welcome breather come next weekend.

As for tonight, what I will be shelling out cash in order to see will likely end up being Jackass 3D. I wouldn't expect an general review for the movie if I were you, because it doesn't really seem like an actual film. It looks somewhat entertaining, even if there's an extreme likelihood that phallic imagery will fully represented in 3D. If any, it'll test my ability to withstand cringe worthy cinema without puking. If you're over the age of 18, you could very likely go into this movie and enjoy it. It depends on exactly what kind of person you are. It's worth noting that the film got more positive reviews than both Conviction and Hereafter. I'm not sure how that happens, but it does.

Wednesday, October 13, 2010

For Your Acknowledgement: 3D Abuse?

The opening of the trailer for Jackass 3D was honestly kind of funny, but I'm just not sure I want to spend $10+ to see a film like this in Digital 3D. As a matter of fact, I'm pretty sure I won't end up seeing it at all. It seems to head into an abusive area with 3D, and most of the stunts I've seen are just not as funny as the red neck trailer trash who put these films together must think it is. It's not something I want to spend 90 minutes with.

Friday, August 6, 2010

Theatrical Trailer: Jackass 3D

"When Time Magazine named 3D 'The Future of Movies', we doubt this is what they had in mind."

At a time when 3D is being brought into question, what better way to save it than to completely abuse it? It sounds illogical, but the trailer for Jackass 3D seems to be making it work. I haven't seen the first two Jackass films, and even though I may get lost in the complex mythology of the series, I hope to see this film in all its 3D glory. It actually looks really enjoyable in a way most conventional comedies have failed to achieve this year. The trailer is embeded below so you can take a look.