OSCAR 2011: The Winners and Why

Last night's Academy Awards was, to say the least, surprising, but not necessarily in a good way. In fact, I have to admit I would have been a lot happier if we had absolutely no surprises. Realistically, that didn't happen, and we got plenty of shocking moments that simply didn't need to happen. "The Girl with the Dragon Tattoo" took home an Oscar for the absolute worst aspect of the film. "Hugo" took awards for technical aspects that simply didn't support it, all the while I was reminded of how soulless a feature Scorsese's latest was. But if there's a single win that defines the disappointment I feel this morning, it's Meryl Streep winning Best Actress.

From the very start of the evening, we saw Viola Davis absolutely working it on the red carpet, and I couldn't have felt happier for her. This was her night, and the Academy refused to recognize it. If she had taken the stage, last night would have been absolutely perfect in my memory. I don't blame Meryl Streep for winning. You have to blame the Academy for simply making the wrong decision and not voting on what's simply better and more deserving. Meryl Streep didn't need another award, but even more than that, her getting countless awards for performances like this is like giving Adam Sandler an Oscar for "Jack and Jill" because he was great in "Punch-Drunk Love" in the past. For the most part, however, I was pleased with what was predicted to win "The Artist"s wins were extremely heartfelt, and "A Separation" was just a great moment.

AWARDS 2011: Indie Spirit Winners

Well no, I can't say that really worked out to well for my predictions. With hopes for "Drive", "Take Shelter", and "Shame" to pick up some well deserved accolades this afternoon, none of that happened. The result was a decidedly indifferent afternoon of doling out awards to "The Artist", "The Descendants", "Beginners", "My Week with Marilyn", and... well, whatever. Point is, this simply did not do, and that's all I have to say about that.

Best Feature: "The Artist"

Best Actor: Jean Dujardin ("The Artist")

Best Actress: Michele Williams ("My Week with Marilyn")

Best Supporting Actor: Christopher Plummer ("Beginners")

Best Supporting Actress: Shailene Woodley ("The Descendants")

Indie Spirit Awards Predictions

Let me emphasize that the Indie Spirit Awards are usually the fun about Oscar weekend. We could get to the tailend of this weekend and have that not be true. This could be a relatively boring rehash of "The Artist"s usual success, and that's fine, but we have the Oscars for that. Which is why I am far and away going for "Drive", "Martha Marcy May Marlene", "Take Shelter", and "Shame" to clean up this evening. Will it happen? probably not. It's a bit of a strain to think that "The Artist" would only take home one award. But let's dare to be adventurous this weekend, shall we? Isn't that so much more fun?

Now there are obviously places where I know that what I want to win isn't going to win. "50/50" has a certain chance in the screenplay category, as does "Beginners". J.C. Chandor's "Margin Call" could snap up the debut director/writer credits, which would be a massive shame. Michelle Williams could snatch up actress, and Jean Dujardin is more than likely for Actor. But I'm game with thinking that this could be so delightfully up in the air this particular year. Or maybe not, but "Black Swan" and "Winter's Bone" both took home some deserving wins last year. I'm hoping for the rush of the new to beat out the nostalgia of the old.

OSCAR 2011 PREDICTIONS: Supporting Actor

Did anybody possibly imagine that the supporting actor race this year would be so completely dull and toothless as this? Perhaps, but I dearly hope nobody wanted it. Remember last year when we had Christian Bale's career best as an extreme druggie, John Hawkes' belated arrival, Jeremy Renner's heavy edge accomplice to Ben Affleck, and Mark Ruffalo being just plain awesome. Since when did the Academy just lose those cool points? The closest thing they have this year is Nick Nolte, who is perhaps the only one who really should be here, but the one who just made it in under the wire.

There's no debating that it's Christopher Plummer's to win. Don't get me wrong, because it's a nice performance, but I'm the one who was so much more impressed with the much smaller name Mary Page Keller's performance in "Beginners". I haven't yet, and am not liable to soon see either "Extremely Loud" or "My Week with Marilyn", but I've seen enough of an indication from the trailers to know that I'm not having it for either of the performances in this race. And then there is Academy Award nominee Jonah Hill... I can't. I just can't.

AWARDS 2011: Annual WGA No-Want List

It's that time of year again, when the Writers Guild of America decides to be prissy little bitches and kick out any film that doesn't abide by their numerous and illogical rules. As such, they aren't a truly reliable precursor in the Oscar fray, and they actually serve just to alienate themselves from the rest of the awards season. But it's still worth some interesting conversation on who didn't make the cut this year. The most high profile film is probably "The Artist", which makes sense on the grounds that that might've been a slim screenplay based on the lack of dialogue. But there's also no sense in the numerous other films to be kept out the competition.

In the original screenplay field, "The Artist", "Beginners", "The Iron Lady", "The Lady", "Margin Call", "Martha Marcy May Marlene", "Melancholia", "Rango", and "Take Shelter" were shelved. In the counterpart adapted field, "Albert Nobbs", "Carnage", "Jane Eyre", "My Week with Marilyn", "Sarah's Key", "The Skin I Live In", and "Tinker, Tailor, Soldier, Spy" got the shaft. While it doesn't much shake the latter race, it does make us wonder what's left for the former. The Best Picture contender most likely to make it in for Original Screenplay here would probably just be "Midnight in Paris". Hell, I'd count on that for the win. Adapted Screenplay, it's pretty much the same game as it was before.

AWARDS 2011: National Board of Review throws "Hugo" into the race

If we were shrugging in a somewhat disgruntled manner when the New York Film Critics Circle announced their winners on Tuesday, the National Board of Review managed to inject a bit of personality into this race. How so? Well I don't think people were quite on board with "Hugo"s Best Picture chances until just now. With Scorsese and his film taking the top prizes from NBR, which was highly expected to go to "The Artist" and Michel Hazanavicius, it feels like there's new blood in there. What gets me even further buzzed is that Tilda Swinton took the Best Actress prize for her amazing performance in "We Need to Talk About Kevin". Fingers crossed that at least this one sticks.

The wins for "The Descendants" and "Beginners", on the other hand, were pretty predictable and within the grain of what we expected. The wins for "50/50" and "Margin Call", on the other hand, are just plain silly. Their top ten are considerably more interesting than I had originally diagnosed this season, but I don't imagine this bunch will all make it to the film list, least of which "Drive", "Girl with the Dragon Tattoo", and for entirely different reasons, "J. Edgar" and "Harry Potter and the Deathly Hallows: Part 2".

BEST FILM: "Hugo"

BEST DIRECTOR: Martin Scorsese ("Hugo")

BEST ACTOR: George Clooney ("The Descendants")

BEST ACTRESS: Tilda Swinton ("We Need to Talk About Kevin")

BEST SUPPORTING ACTOR: Christopher Plummer ("Beginners")

BEST SUPPORTING ACTRESS: Shailene Woodley ("The Descendants")

AWARDS 2011: "Drive" & "Beginners" Dominate Indie Spirit Nods

Let me quickly clarify that this was hell to speed write out all the nominations as they were announced via twitter. Give a guy a chance to breathe! All the same, it was really quite fantastic to finally be in the rush of awards season, especially when we're starting in such great fashion. The Film Independent Spirit Awards nominations are really the best way to kick off the season which ends in the bitter disappointment of the Oscars. Of course there are quite a few films that I still don't care for, primarily "The Descendants", and as time ticks by "The Artist". I am not spent on "Beginners" yet, as the film was really quite charming, and its resurgence here gives me enough pause to see it again and reevaluate it.

Still haven't seen "50/50", which doesn't seem as spectacular as it once did, and I expect to get branded by everyone I love for not falling for it. I never got the chance to see it, sadly enough. Fortunately, "Take Shelter" is coming around the bend for me to get in just under the wire for this year. And I've even more ecstatic about "Drive" making such a strong surge for the Indie Spirits. With each passing second it seems all the more like the "Black Swan" of this year. It was nice to see "Martha Marcy May Marlene" to get some love under the main line. What wasn't nice was the almost complete alienation of "Shame", which left Fassbender and Mulligan out of the races, much to my disdain. I'll survive. This is still a nice batch.

BEST PICTURE

-"50/50"

-"Beginners"

-"Drive"

-"Take Shelter"

-"The Artist"

-"The Descendants"

BEST DIRECTOR

-Mike Mills ("Beginners")

-Nicolas Winding Refn ("Drive")

-Jeff Nichols ("Take Shelter")

-Michel Hazanavicius ("The Artist")

-Alexandre Payne ("The Descendants")

AWARDS 2011: Gotham Award Nominations favors "Descendants"

The awards season has finally gotten rolling with the Gotham Independent Film Awards' nomination announcement. Despite my malign of the predictions period, I really do enjoy the awards circuit, seeing what films make the cut, and what films don't. These nominees are the perfect example of such, with "The Descendants" starting its likely undeserving awards run by picking up three nominations here. "Beginners" and "Take Shelter" both doubled up in the Best Feature and Ensemble.

However, the two most surprising developments came from the Best Feature race. Mainly "Martha Marcy May Marlene" being an odd omission and "Meek's Cutoff" instead sneaking in there. Not sure I could have called that. And "The Tree of Life" got in there, but it's a slow start to what could be an extremely fortunate awards run. Glad we're finally starting things off, if a bit slowly. Excited to see what's next.

BEST FEATURE

• "Beginners"
• "The Descendants"
• "Meek's Cutoff"
• "Take Shelter"
• "The Tree of Life"

Film Review: "Beginners" (***)

 

About an hour into the proceedings of Mike Mills' "Beginners", I began to realize exactly what it was I was watching. I had all the pieces on hand before, yet the film seems like such a quirky focus that you wouldn't assumed it. However, it was only when the film started dragging on that I realized this was an autobiographical work with details drawn from Mills' own life. The main flaw is that the film had to drag on for me to realize that, when it shouldn't have dragged on at all.

The film follows Oliver Fields in two crucial moments in his life that don't quite connect with each other. In one, Oliver is dealing with the ordeal of his father revealing that he has been gay his entire life, all while he is dying from stage 4 cancer. They play very much with his natural discomfort at his father's life choice, as well as his cynical mannerisms towards all his relationships. The other series of circumstances takes place after Oliver's father has died, as he meets a woman and starts a fun and exciting relationship with her.

The Weekend Report: In The Company of Freaks

I have never been more eager to just catch a bus to New York on some random day so that I could finally see The Tree of Life, because most of the alternatives just aren't favorable. Before I get into the new releases, of which there is one major one, I should tell you what you should see this weekend, if you haven't already: Thor, Bridesmaids, and Kung Fu Panda 2. That's the mass of the wide releases that I recommend. I've already chimed in on X-Men: First Class today, and if you've read my review, you'll know that I'm no fan of the latest installment.

I expect that many will see it and enjoy, regardless of what I personally think, but I endear any readers to look elsewhere for quality entertainment. Anything worth viewing is in limited release, and even then is my recommendation only mild. Submarine and Beginners are the quirky comedy offerings of this weekend, and while Submarine feels far too self-aware, Beginners seems to perhaps be a bit too light. I guess that's all one can expect of a indie comedy. It's dry weekends of this year like these that make me wish for the qualified offerings of yesteryear.

For Your Anticipation: Classic American Things

There's something absolutely wonderful about a subtle approach to light comedic filmmaking, which is not necessarily what Beginners is, but it's close to what it is. Yesterday, I spoke of what gives the term "quirky comedy" a bad name, and this is what gives it a good name. Joy, happiness, and loss handled in an off-kilter, yet not quite upbeat way. As always, it's elevated by a wonderful cast of Ewan McGregor, Christopher Plummer, but the one who has me salivating at the door is Melanie Laurent. She was the second best thing about Inglourious Basterds, and it excites me for the possibilities of this film.

Films to See in 2011: June

I have had a joyfully optimistic entrance into this Summer with May, so it's a rather large disappointment to go from that to the June slate. All of the films that I have been looking forward to in June are coming out in the first two weeks. That leaves a pretty sizable mess of the following two weeks. Jim Carrey is adding yet another pointlessly irritating performance to his repertoire with Mr. Popper's Penguins. Pixar could potentially break their tradition of wonderfully heart filled entertainment with Cars 2. I'm still not sold on Green Lantern, nor do I expect to be so in the following weeks. Luckily, we do have some films waiting to invigorate audiences before this downward slope.

3. Beginners

Directed by Mike Mills

Like most films at this spot, I'm not relentlessly waiting for this film to come out, no pun intended. More can be said of this film than simply saying that it's better than most of what's out there. I'd say that Ewan McGregor, Melanie Laurent, and Christopher Plummer are signs of something great, but everybody has their respective pitfalls. What has me so interested in this film is the witty personal nature of the piece. It's not a broad comedy by any definition, and it focuses on very real and interesting emotions. When you take on a subject such as this, and one that's really never been touched upon, you raise several interesting questions. If director Mike Mills does a good job answering them, he's got something great here.

Theatrical Trailer: Beginners

The blank splotches on the chart of films releasing in 2011 are beginning to fill in, some less favorably than others. Beginners, from director Mike Mills, is one of the others, and it's amongst my most anticipated films of the year. The first six months of this year are so brimming with quality films lying below the surface, and we can't be sure what will be nominated for Best Picture this time next year. However, at this current moment, the dramedy starring Ewan McGregor, Christopher Plummer, and Melanie Laurent has a spot reserved on my year-in-advance list. It looks like a sweet romance, an emotional story of father and son, and a deep tale of the choices we make in life and love. On top of that, that dog is just so cutely off-kilter and oddly realistic. I can't wait to see Beginners. Checkout the trailer, and let me know if you feel the same.