Box Office Update: "Contagion" breaks competition down

The top player at the box office this weekend may lead you to believe this weekend was generous. In actuality, "Contagion" was perhaps the only real standout this weekend, with the rest withering in defeat. Soderbergh's film defeated a slump that's been dominated honorably by "The Help" for the past few weeks. Sadly, however, if it weren't for "Contagion", "The Help" would've still conquered the weekend. Despite its most substantial drop of 40%, the film still held on towards the top. Not even "Warrior" could draw in enough audiences, and its weak opening doesn't exactly inspire much confidence in it. The rest of the chart is old hat, with "Bucky Larson" thankfully not even making the top 10. This weekend was just a slight hair above last year, when the stats were pretty much exactly the same with "Resident Evil: Afterlife" in the top spot.

1. "Contagion" (First Weekend; $23.1 million)

2. "The Help" (Fifth Weekend; $8.7 million)

3. "Warrior" (First Weekend; $5.6 million)

4. "The Debt" (Second Weekend; $4.9 million)

5. "Columbiana" (Third Weekend; $4 million)

6. "Rise of the Apes" (Sixth Weekend; $3.9 million)

7. "Shark Night 3D" (Second Weekend; $3.5 million)

8. "Apollo 18" (Second Weekend; $2.9 million)

9. "Our Idiot Brother" (Third Weekend; $2.8 million)

10. "Spy Kids 4" (Fourth Weekend; $2.5 million)

Box Office Update: "Help"! Somebody! Anybody!

Does the enduring box office success of "The Help" have anything to do with how good a film it is? Maybe a little, but it's more to do with the fact that we have nothing better to do. I dismissed the lion's share of releases this weekend, and as it turns out I wasn't the only one. The only slightly positive film this weekend, "The Debt", ended up the strongest release, despite the tepid response on its Wednesday release. "Apollo 18" and "Shark Night 3D" fell just slightly behind, splitting the horror crowd down the middle. It was a very uneven weekend.

As far as long term box office goes, I'd actually say that August has been something of a success. Three films of this month have earned more than $100 million thus far. "The Smurfs" is somewhat arguable, as it premiered at the tail end of July, but it still managed $130 million throughout the month, despite terrible reviews. "Rise of the Planet of the Apes" could've been much worse than it was, so the general optimism from it has pushed it to $160 million. And "The Help" is still on the rise, currently with $118 million and climbing. This weekend was about 8% higher than last year, when "The American" arrived to undeserved critical bashing, just barely outrunning "Machete".

1. "The Help" (Fourth Weekend; $14.2 million)

2. "The Debt" (First Weekend; $9.7 million)

3. "Apollo 18" (First Weekend; $8.7 million)

4. "Shark Night 3D" (First Weekend; $8.6 million)

5. "Rise of the Planet of the Apes" (Fifth Weekend; $7.8 million)

6. "Columbiana" (Second Weekend; $7.4 million)

7. "Our Idiot Brother" (Second Weekend; $5.2 million)

8. "Don't Be Afraid of the Dark" (Second Weekend; $4.9 million)

9. "Spy Kids 4" (Third Weekend; $4.6 million)

10. "The Smurfs" (Sixth Weekend; $4 million)

Weekend Report: And the sharks will come...

It seems like such a coercive duty to hammer out a piece on this weekend's films in a time where more absorbing prospects are happening elsewhere. Indeed I'd much rather spend time writing what is, more or less, unread gossip on films I haven't had the chance to see as of yet. Taking things with a grain of salt doesn't quite cut it. You have to realize that your work requires a higher calling than simple ideas and impressions. As much as this business is based on such, it's also necessary to reserve bias to a degree until just seconds before the film begins.

On the other hand, there's no harm in ripping the mickey out of the trash bag collection of films spewed onto the big screen on a weekly basis. One almost wishes these films were let out infrequently throughout the week, rather than just dumped on Friday like an afterthought. In that respect, "The Debt" did manage to get out ahead of the pack, just to escape the comparative doltishness of the mainstream releases. That said, John Madden's less than bombastic thriller didn't get off to a great start on Wednesday, so prognostication for the weekend box office isn't too friendly.

There is, regrettably, more reason for the masses to flock to the more mainstream horror smashes of the weekend. "Apollo 18" arrives on a mix of post-"Cloverfield" era mockumentary idiocy and faux-conspiracy laced buzz that will probably manage to get people in the theaters anyway. I mean, it looks like "Paranormal Activity" is space, right? What could go wrong? And then there's "Shark Night 3D", working off the same formula of mindless carnage as "Piranha 3D" did last year, probably to less enthusiasm.

For Your Anticipation: It's (not) Gonna Be A Good Weekend

Sadly enough, between "Apollo 18" and "Shark Night 3D", I have more interest in the latter. Not to say I have any interest in this material. Aside from the fake girls and dumb guys, there's also the fact that it's mostly not at night. So change the title? It seemed so easy for films like "(The Invention of) Hugo (Cabret)", and "John Carter (of Mars)".

Films to see in 2011: September

I was rather disappointed to have nothing to recommend out of the August slate. Both "Rise of the Planet of the Apes" and "The Help" were better than I expected, and I suppose "My Idiot Brother" looks delightful enough. I guess if you still haven't seen anything from August, those are the three I'd suggest. However, now we're on to September, which has burgeoned into an amazingly successful slate in the past few years. Last year we were supplied with both "Easy A" and "The Town", and I think I remember liking "The American" more than the critics did. It didn't quite deserve the bashing it got.

As for this year, successful films seem to be much more widespread. It's not going to be all shelled out in one weekend, which I really do prefer it that way. Things start out in a really obligatory pattern, and I'm not sure why September usually kicks off with below-standard horror flicks. Do not expect me to spend any time or effort on "Shark Night 3D" or "Apollo 18", and I won't expect you to either. I saw a trailer for "Bucky Larson: Born to Be a Star" in theaters, and I wanted to run as far away from that place as I could. It didn't put me in the right mood for "Bad Teacher" either. Or maybe it did. I'm not sure.

Things do pick up from there, although I still have no intention towards "Warrior", one way or another. It looks like they're milking the formula once again. I don't consign to Sarah Jessica Parker, nor do I consign to her latest film "I Don't Know How She Does It". "Straw Dogs" seems like your typical remake. "Abduction", "Dolphin Tale", "Killer Elite", and "What's Your Number?" all look dreadful. "Dream House" might be an interesting popcorn horror film, but not more than that. And "Moneyball" looks somewhat uninspired, and actually kind of boring. If you think I skipped a few films, you might want to continue to my top three films for this month, after the jump.