The word's been out on Paul Thomas Anderson's latest for nearly a month now, thanks to some less than covert 70 mm screenings intended to get it seen first in its proper format. This morning saw "The Master"'s more or less official premiere in Venice, which brings the already positive word further to the front of the conversation. In two weeks the film will have its release in New York and Los Angeles before expanding to the rest of us the following Friday, but the encouraging, if somewhat beguiled, reaction to the film makes the short wait a more manageable feat.
Todd McCarthy (Hollywood Reporter): "In a film overflowing with qualities but also brimming with puzzlements, two things stand out: the extraordinary command of cinematic technique, which alone is nearly enough to keep a connoisseur on the edge of his seat the entire time, and the tremendous portrayals by Joaquin Phoenix and Philip Seymour Hoffman of two entirely antithetical men, one an unlettered drifter without a clue, the other an intellectual charlatan who claims to have all the answers. They become greatly important to each other and yet, in the end, have an oddly negligible mutual effect. The magesterial style, eerie mood and forbidding central characters echo Anderson's previous film, There Will Be Blood, a kinship furthered by another bold and discordant score by Jonny Greenwood."
