Showing posts with label Greta Gerwig. Show all posts
Showing posts with label Greta Gerwig. Show all posts

Friday, July 6, 2012

THE LISTS: Best performances of 2012 thus far

At this point I have a tendency of wondering if we're really at the halfway point of this year already. It's true that often times this period of the year is marked by a stunt of intellectual cinematic properties and an abundance of blockbuster diversions. This year, however, it seems like things are just heating up exponentially with a rush of quality cinema. The past two weeks alone have offered not just one, but two films that may qualify the best of the year. But if I'm to be perfectly honest, the last thing I feel like doing at this point is putting the films to task in an effort to rank them. I leave the placing of favorites as a year end routine.

What's more, we're still waiting on plenty of films that seem ever so slightly outside our reach and prove to dramatically change the order of anyone's lists at this time. In just two weeks time we'll finally be able to take in Christopher Nolan's "The Dark Knight Rises", putting an end to suffocating fanboy hype and finally giving us a chance to judge it on its own humble merits. I'm waiting in eager anticipation to see how Yorgos Lanthimos' "Alps" turns out, since that's the real ticket premiere of this month, at least from where I'm looking. And we know that Venice, Telluride, and Toronto are just around the corner with more to bring to the table.

Saturday, September 10, 2011

VENICE: "Damsels in Distress" Reactions

Such a delight that Venice goes out on a high note, as one usually expects the closing night of the festival to end in a whimper. That's mostly because most journalists are already Toronto-bound, and we'll get to our covering of that festival when the time comes that I become interested. Suffice it to say that there will be some that are downtrodden to hear that they missed out on something great in Whit Stillman's "Damsels in Distress". Stillman is another example of a director coming back into the fold after a long hiatus, but he's been out for 13 years, so who's to say what he's been up to? In any case, word is positive on his latest. And if Neil Young sounds a bit negative, keep in mind that it's his favorite of the festival.

Guy Lodge (In Contention; ***1/2): "It’s tempting to imagine that the reason for Stillman’s 13-year gap between features is that he was merely waiting for an actress as ideally attuned to his oddball intelligence as Gerwig: a quicksilver comic actress often cornered into passive roles, she’s on gloriously spry, expressive form here, finding reserves of empathy, however blinkered, in a character that many might play as an unremitting nightmare. (Her cohorts are very nearly as impressive, notably Megalyn Echikunwoke, whose gleefully mannered timing seems set to make “playboy and operatOR type” a beloved catchphrase among Stillman fiends.)"

Tuesday, February 1, 2011

Film Review: No Strings Attached

In another sad statement about how low the film industry has sunk in this past month, a romantic-comedy starring Ashton Kutcher turns out to be the best of the year thus far. That's not to say that I loved No Strings Attached, because there's only so far adoration can go for a merely good film. If you haven't already heard the story, then you're lurking in a globe of films like Avatar. Ashton Kutcher plays an up-and-coming writer on a Glee ripoff show, and Natalie Portman plays a resident at the local hospital. The two have come in contact three times in the past, and on the fourth time, they have sex. From there on, they use each other as Fuckbuddies, which is what the film was called before all the naming rights situation with Friends with Benefits.

Right from the beginning, you should know that this isn't going to take any turns that you don't really expect. It's not going to break the shell between clean-cut comedy to Apatow emulating raunch-fest. It's simply an entertaining, if still mildly cliched, rom-com. You shouldn't really be expecting much more, or else you deserve to be disappointed. The one thing exasperating this from other films like it is Portman's depiction of Emma. Everything else in the film ranges from one-dimensional to two-dimensional, but Emma is a fully formed and actively complex character.

Adam is the exact sort of good-hearted idiot that you'd expect Ashton Kutcher to play, but Emma has a secret emotion behind her eyes. She's emotionally closed off to a legitimately emotional relationship, so she doesn't really understand what the history between her and Adam means. She's not an idiot, but there's both loneliness and fear of commitment that make up her defining characteristics. It's as good a follow-up performance to Black Swan as Portman could've given. She's got a long palette between now and June, so if she manages mild successes like this consistently, then I'll be contented.

Ashton Kutcher is still an awful actor, and I can only wonder if somebody else could've taken the role he received. In all seriousness, Paul Rudd can't be in enough movies these days. Chris "Ludacris" Bridges is the best of Kutcher's two sidekicks, and he's the one you'll remember well past the end. Greta Gerwig is my favorite supporting actress of the film, and it wonderfully complements the main arc. Olivia Thirlby had a surprise appearance that I didn't anticipate in the least, and it made the experience so much more fulfilling. The real gem is Portman, and Kutcher is the wall that is keeping No Strings Attached from reaching B status.

B-

Thursday, January 20, 2011

For Your Anticipation: I've Got The World On A String

It's a certain sign of the depressing atmosphere we've been stuck with this month when I'm actually looking forward to an Ashton Kutcher film. In all honesty, No Strings Attached doesn't necessarily look like an awful film as originally assumed, but anybody expecting a great one should leave those expectations at the door. Aside from Kutcher, the film has a great cast including Greta Gerwig, Mindy Kaling, and the eventual Oscar winner Natalie Portman. She's got a flood of films on the way before taking a break because she's getting kind of pregnant, and that works against quite a few character choices. I assume that's one of the reasons she didn't get the role of Selina Kyle in The Dark Knight Rises. That would certainly change Nolan's plans pretty quickly.

<a href="http://www.bing.com/videos/browse?mkt=en-us&vid=7ad35202-87aa-45db-88b3-6a311738695d&from=en-us&fg=dest" target="_new" title="'No Strings Attached' Exclusive Clip: "A Period Mix"">Video: 'No Strings Attached' Exclusive Clip: "A Period Mix"</a>

Monday, October 18, 2010

2010 Gotham Awards Nominees Announced

The awards season has begun, whether any of us is ready or not. It's a lot more taxing and time consuming for me than it is for you. The Gotham Awards has announced their nominations, and it almost easy to forget that this was a spectacular year for independent films. There are certainly a few films I haven't heard of, mostly in the Documentary category. For the most part though, I'm surprised to find myself engaged by these nominations. I'm happy that Let Me In was given representation, small though it is. However, The Kids Are All Right and Winter's Bone are the true spotlight for these nominations.

As for my predictions on who will come out on top, I'm putting The Kids Are All Right on top for both Best Feature and Best Ensemble Performance. Until the fall season, that was my favorite film of the year. If only because it's the only one I've heard of, I'm putting Inside Job on top for Best Documentary. Breakthrough Director is a complete wild card, for who can say who will win. Finally, though Greta Gerwig's turn in Greenberg was my favorite thing about the film, Breakthrough Actress is going to go to Jennifer Lawrence in Winter's Bone. It may reignite Oscar potential for her once again. Take a look at the nominees, and make your own predictions in the comment section.

Best Feature
Black Swan
Blue Valentine
The Kids Are All Right
Let Me In
Winter’s Bone

Best Documentary
12th & Delaware
Inside Job
The Oath
Public Speaking
Sweetgrass

Best Ensemble Performance
The Kids Are All Right
Life During Wartime
Please Give
Tiny Furniture
Winter’s Bone

Breakthrough Director
John Wells, (The Company Men)
Kevin Asch, (Holy Rollers)
Glenn Ficarra and John Requa, (I Love You Phillip Morris)
Tanya Hamilton, (Night Catches Us)
Lena Dunham, (Tiny Furniture)

Breakthrough Actor
Prince Adu (Prince of Broadway)
Ronald Bronstein, (Daddy Longlegs)
Greta Gerwig, (Greenberg)
Jennifer Lawrence, (Winter’s Bone)
John Ortiz, (Jack Goes Boating)