Showing posts with label Chicken with Plums. Show all posts
Showing posts with label Chicken with Plums. Show all posts

Friday, August 17, 2012

Weekend Forecast: All competition is "Expendables"

The summer blockbuster heat had unanimously died down after "The Dark Knight Rises" unusually anticlimactic first week, but there have still been a slew of wannabe actioners that have been trying to keep it alive. "The Bourne Legacy" has had a fair degree more success in that aspiration than "Total Recall" and "The Watch" have, but each new option for male audiences seems to take attention away from its predecessor. "The Expendables 2" doesn't have the franchise intelligence that "Bourne" had going for it, but that's hardly a necessity with so many 80s action icons proliferating the screen. It almost qualifies overkill if the film actually has aesthetic depth.

Since the box office majority will likely go the way of the mega-action sequel, audiences can expect smaller returns on the three other wide releases this weekend. The most promising in terms of audience affection is "Sparkle", long gaining buzz as Whitney Huston's last screen appearance. I admittedly have a place in my heart for pop-propelled cinema, but not without a genuine sense of care. I don't see it in "Sparkle", though I could end up proven wrong in time. Another significant release I have rather heavy doubts on is "ParaNorman", previously placed as my most anticipated film of the month. Excessive marketing since then has pushed it as a senselessly juvenile animated feature, rather than a piece of outstanding and terrifying originality like Laika's previous feature, "Coraline".

Thursday, July 28, 2011

Venice stacks favorites big and small

Toronto is a massive canvas, but you do suffer sensory overload with all those films playing against one another. I prefer the smaller and more tightly knit atmosphere around Cannes and Venice, because it just seems so much more homely. Festivals are best suited to beautiful cities, and Venice is putting together what seems like a perfect list of competitors. Of course there will be quite a few that don't stack up, and I'm getting ready for that bitter sting of disappointment. Many are making their sophomore attempts, which is usually when the one hit wonders are cut apart from rest.

Of course there's the debut film of the festival, George Clooney's The Ides of March, but that trailer seems a bit too clean for a tale of hubris. It looks like the sort of sophisticated film that will get Academy attention more than most. I'm obviously not looking for the films that will play better with the Academy. I'm looking for quality, and it's better found in other places. Tomas Alfredson's Tinker, Tailor, Soldier, Spy has been gaining interest over the past month, and it still looks pretty intense and visually dynamic like Alfredson's last film. Maybe not a huge awards play, but definitely one I'm willing to follow.