Showing posts with label Looper. Show all posts
Showing posts with label Looper. Show all posts

Wednesday, August 29, 2012

Films to see in 2012: September

September again, and you know what that means. Back to school, the fall festivals, and the full fledged kickoff of the Oscar film season. Today (August 29th) gets things moving in that third category with "Lawless", though it's become rather unlikely for that film to hold interest all the way to nominations morning. Next weekend pulls the month in with just as tepid a slate of releases, mostly (if not entirely) consisting of "The Words", a Bradley Cooper-Jeremy Irons drama about stolen glory. That seems much more sympathetic an awards play than this week's bid, and I can't imagine it prospering in box office or critical interest.

The following weekend should prove profitable in terms of box office returns, as it brings horror-action sequel "Resident Evil: Retribution" and the 3D re-release of Pixar classic "Finding Nemo". Not taking a look at the latter is unimaginable, given not only the emotional rollercoaster it consistently offers on repeat viewings, but to see how the visuals translate to a 3D representation. Another 3D offerings that I confess myself guilty of wanting desperately to see is "Dredd 3D", a film which has every reason to be awful, and yet has a promising genre quality to it. It seems the sort of project which could either turn out like "Legion" or "Immortals", or some conflicted combination of both. I expect the third option, but hope for the second.

Tuesday, July 24, 2012

Mira Nair & "Looper" to open Venice & Toronto

The festival season is finally within a short breath, or a month depending on your emotional disposition this summer. It feels like the announcements of the films to open Venice and Toronto is long overdue, and I've been waiting for something grand at least when it comes to Venice. The past two years of "Black Swan" and "The Ides of March" could certainly have played host to far lesser films. Cannes too has opened rather fortunately these past two years, dealing in calm, relaxed, but spectacularly affectionate films. Unfortunately the opener for Venice this year does seem at all in keeping with the trend of strong dramatic fair, that is if we're going on simply the name value of Mira Nair.

Perhaps not immediately recognized, the Indian director is most recently known for the massive critical flop of "Amelia" back in 2009. The announcement of opening the festival with her latest film, titled "The Reluctant Fundamentalist", doesn't at all come as a pleasant notion. It kicks off the festival on a rather downtrodden note, if anything, and I'm fairly certain we'll be getting plenty reviews to that effect once late-August arrives. I could very well be wrong and operating on an assumption based on past knowledge of her work, but the title alone hints at something rather boorishly self-confident.