AWARDS 2011: Indie Spirit Winners

Well no, I can't say that really worked out to well for my predictions. With hopes for "Drive", "Take Shelter", and "Shame" to pick up some well deserved accolades this afternoon, none of that happened. The result was a decidedly indifferent afternoon of doling out awards to "The Artist", "The Descendants", "Beginners", "My Week with Marilyn", and... well, whatever. Point is, this simply did not do, and that's all I have to say about that.

Best Feature: "The Artist"

Best Actor: Jean Dujardin ("The Artist")

Best Actress: Michele Williams ("My Week with Marilyn")

Best Supporting Actor: Christopher Plummer ("Beginners")

Best Supporting Actress: Shailene Woodley ("The Descendants")

Indie Spirit Awards Predictions

Let me emphasize that the Indie Spirit Awards are usually the fun about Oscar weekend. We could get to the tailend of this weekend and have that not be true. This could be a relatively boring rehash of "The Artist"s usual success, and that's fine, but we have the Oscars for that. Which is why I am far and away going for "Drive", "Martha Marcy May Marlene", "Take Shelter", and "Shame" to clean up this evening. Will it happen? probably not. It's a bit of a strain to think that "The Artist" would only take home one award. But let's dare to be adventurous this weekend, shall we? Isn't that so much more fun?

Now there are obviously places where I know that what I want to win isn't going to win. "50/50" has a certain chance in the screenplay category, as does "Beginners". J.C. Chandor's "Margin Call" could snap up the debut director/writer credits, which would be a massive shame. Michelle Williams could snatch up actress, and Jean Dujardin is more than likely for Actor. But I'm game with thinking that this could be so delightfully up in the air this particular year. Or maybe not, but "Black Swan" and "Winter's Bone" both took home some deserving wins last year. I'm hoping for the rush of the new to beat out the nostalgia of the old.

AWARDS 2011: WGA Nominations Skew Disaffected

The WGA has had a notorious penchant for nominating inaccurate films for screenwriting, as they cancel out so many films on strict rules. Therefore, the little interest I usually muster for awards isn't even available now. It's a slow crawl to nomination morning, when all the silliness finally fades from the world and we can start talking not-really-that-seriously.

Best Adapted Screenplay:

• "The Descendants"
  
• "The Girl with the Dragon Tattoo"
  
• "The Help"
  
• "Hugo"
  
• "Moneyball"

Best Original Screenplay:

• "Bridesmaids"
  
• "50/50"
  
• "Midnight in Paris"
  
• "Win Win"
  
• "Young Adult"

Best Documentary Screenplay:

• "Better This World"
  
• "If a Tree Falls: A Story of the Earth Liberation Front"
  
• "Nostalgia for the Light"
  
• "Pina"
  
• "Position Among the Stars"
• "Senna"

Quick Takes: "Bombay Beach", "Boogie Nights", "The Wrestler", "50/50"

Renewing the old quick takes brand to take on a couple of films I felt compelled to talk about, but couldn't find my way into entire reviews.

"Bombay Beach" (***1/2)

Directed by Alma Har'el

I've gotta say, I would've been much happier checking this out on the big screen than via Netflix on my laptop, but I was happy to see it at all. It's wonderful to see a documentary so distinct and fully formed without the use of conflicting voices and talking heads. Never once bringing attention to itself in its depiction of people who are fearful and wary of the world beyond Bombay. It's at times quite lovely, warming, and playful even, but not at all romantically so. That's in no way meant as a stab, as this film wallows in desolation of both landscape and humanity. At times a bit aimless, but so is the subject. You never question it, and instead just sit in an odd and indistinguishable sense of dread.

"Boogie Nights" (****)

Directed by Paul Thomas Anderson

It wasn't my first time on the "Boogie Nights" rodeo, as I'd sat through it on my rundown of Paul Thomas Anderson's filmography. The man certainly has some idea of what he's doing, and he doesn't lay himself in the same place as he was before. Showing the drastic decline of a period in the pornographic film industry, not to mention a change in historical mindsets, the film dabbles stylishly with enthusiastic comedic temptations in the first hour, but really kicks into gear as the film heads into second act. The moment we transition to the 80s, that is the moment we see the true stripes of who Anderson is as a director. The man figures out ways to shock the viewer without doing so inorganically. This film knows how serious it is, and never engages too high or low on the spectrum.

AWARDS 2011: National Board of Review throws "Hugo" into the race

If we were shrugging in a somewhat disgruntled manner when the New York Film Critics Circle announced their winners on Tuesday, the National Board of Review managed to inject a bit of personality into this race. How so? Well I don't think people were quite on board with "Hugo"s Best Picture chances until just now. With Scorsese and his film taking the top prizes from NBR, which was highly expected to go to "The Artist" and Michel Hazanavicius, it feels like there's new blood in there. What gets me even further buzzed is that Tilda Swinton took the Best Actress prize for her amazing performance in "We Need to Talk About Kevin". Fingers crossed that at least this one sticks.

The wins for "The Descendants" and "Beginners", on the other hand, were pretty predictable and within the grain of what we expected. The wins for "50/50" and "Margin Call", on the other hand, are just plain silly. Their top ten are considerably more interesting than I had originally diagnosed this season, but I don't imagine this bunch will all make it to the film list, least of which "Drive", "Girl with the Dragon Tattoo", and for entirely different reasons, "J. Edgar" and "Harry Potter and the Deathly Hallows: Part 2".

BEST FILM: "Hugo"

BEST DIRECTOR: Martin Scorsese ("Hugo")

BEST ACTOR: George Clooney ("The Descendants")

BEST ACTRESS: Tilda Swinton ("We Need to Talk About Kevin")

BEST SUPPORTING ACTOR: Christopher Plummer ("Beginners")

BEST SUPPORTING ACTRESS: Shailene Woodley ("The Descendants")

AWARDS 2011: "Drive" & "Beginners" Dominate Indie Spirit Nods

Let me quickly clarify that this was hell to speed write out all the nominations as they were announced via twitter. Give a guy a chance to breathe! All the same, it was really quite fantastic to finally be in the rush of awards season, especially when we're starting in such great fashion. The Film Independent Spirit Awards nominations are really the best way to kick off the season which ends in the bitter disappointment of the Oscars. Of course there are quite a few films that I still don't care for, primarily "The Descendants", and as time ticks by "The Artist". I am not spent on "Beginners" yet, as the film was really quite charming, and its resurgence here gives me enough pause to see it again and reevaluate it.

Still haven't seen "50/50", which doesn't seem as spectacular as it once did, and I expect to get branded by everyone I love for not falling for it. I never got the chance to see it, sadly enough. Fortunately, "Take Shelter" is coming around the bend for me to get in just under the wire for this year. And I've even more ecstatic about "Drive" making such a strong surge for the Indie Spirits. With each passing second it seems all the more like the "Black Swan" of this year. It was nice to see "Martha Marcy May Marlene" to get some love under the main line. What wasn't nice was the almost complete alienation of "Shame", which left Fassbender and Mulligan out of the races, much to my disdain. I'll survive. This is still a nice batch.

BEST PICTURE

-"50/50"

-"Beginners"

-"Drive"

-"Take Shelter"

-"The Artist"

-"The Descendants"

BEST DIRECTOR

-Mike Mills ("Beginners")

-Nicolas Winding Refn ("Drive")

-Jeff Nichols ("Take Shelter")

-Michel Hazanavicius ("The Artist")

-Alexandre Payne ("The Descendants")

Box Office Update: Ambiguous "Activity"

Sorry for the two day break, but some big things were happening in the town where I go to school and that took up a great deal of my time. What took up the rest of my time is something you'll learn about by the end of the week. Suffice it to say that I didn't feel motivated enough to head out to see "Paranormal Activity 3", even though I've not been to the theaters in weeks. Not to say that my presence was sorely missed, if it ever is, as the film still managed to bring in a massive sum, despite degenerating interest from last year's film which many were disappointed by. It looks like that franchise has quite enough juice in it to last a while longer. And what with all the positive buzz from reviews, though not overwhelmingly positive, you can expect this entry to do well in coming weeks.

Meanwhile, elsewhere down the box office chain, "Real Steel" managed to hold up better in its third weekend, a drop of just %, and still holding strong over the other new releases. The robot boxing film currently stacks up at $67 million, likely making the $100 million mark by the end of its run. Right behind it was "Footloose", which fell an almost equal percentage, indicating similar adoration for the teen dance flick. Such could not be said for "The Three Musketeers", which opened to director Paul W.S. Anderson's lowest sum since he started working on the "Resident Evil" franchise. The man was thankfully not missed.

Box Office Update: "Steel" on Ice

It's a typically slow weekend at the box office, and it's sad that the word "typical" is part of that sentence. I'll say that this year has been one of massive disappointments more than anything, at least in my opinion. The dry spell of those first three months, and a continued stall from April, an unenthusiastic summer, and now a fall season that won't come soon enough. There's just nothing really seductive this year, at least comparative to last year. Color me discontented, and the box office figures do not help that disposition. Even less helpful is where most of the money is coming from.

Of the top ten films this weekend, I've only seen one, and that was on a minor whim. No opportunity to get to "50/50" or "The Ides of March", though they seem to do be doing well for themselves. Both had such small drops of less than 30% this weekend, which does bring a slight smile to me. Though I'll admit that the more time goes by, the less I'm really enthused about seeing them. Who was so fortunate to win the weekend but "Real Steel", once again protesting with loud bangs of cash streaming in. It just barely won out over "Footloose", which itself brought in the typical teen crowd to its door.

Box Office Update: "Steel" knocks out Clooney's "Ides"

Here we are, and exactly as was expected heading into this weekend. "Real Steel" won the end game, though not in an absolute runaway victory. Sure, it made a strong Columbus Day weekend opening, but how will it hold up in coming weeks? Well, actually quite well. Oddly enough, audiences get a real hard on for giant robot fighting movies. "The Ides of March", on the other hand, didn't fare so well. True, Clooney's dramas have never made huge bangs of openings. Still, this was a bit on the weaker side of that spectrum. Other than that, not much doing this weekend. Prosperous, though just 3.3% higher than last year when "Life As We Know It" and "Secretariat" failed to beat "The Social Network".

1. "Real Steel" (First Weekend; $27.3 million)

2. "The Ides of March" (First Weekend; $10.4 million)

3. "Dolphin Tale" (Third Weekend; $9.2 million)

4. "Moneyball" (Third Weekend; $7.5 million)

5. "50/50" (Second Weekend; $5.5 million)

6. "Courageous" (Second Weekend; $4.6 million)

7. "Lion King 3D" (Fourth Weekend; $4.5 million)

8. "Dream House" (Second Weekend; $4.4 million)

9. "What's Your Number" (Second Weekend; $3 million)

10. "Abduction" (Third Weekend; $2.9 million)

Oscar Park: "Take Shelter" & "50/50"

This weekend had two films with moderate Oscar chances come out, but neither one has that many chances to merit a post of their own, so here we are. Obviously the more apparent of the two is "Take Shelter", which got strong reactions out of Cannes, and has continued that through this weekend. Michael Shannon is obviously the main talking point here, and the Academy has had a notable fancy for him in the past. I'd be particularly shocked if he didn't make it for this one. The other potential candidate for the film would be Jessica Chastain, who has too many films this year to dial out of the conversation.

I suppose the conversation could dwell between this, "The Help", and "The Tree of Life", but how the hell are we going to get people to rally under a single one of those? "50/50", on the other hand, has only one possibility in the cards, and that's for Joseph Gordon-Levitt. With heavyweights like Michael Shannon in the pot, how much of an impact can he really make? True, the odds are considerably against him, but don't write him off so immediately. If nothing else, you can expect some sort of Golden Globes traction. Unless Robert Downey Jr. steals it away from him for "Sherlock Holmes: A Game of Shadows". I kind of doubt it, though.

"Take Shelter"

Strong Possibilities: Best Actor (Michael Shannon)

Potential Causes: Best Supp. Actress (Jessica Chastain)

"50/50"

Potential Causes: Best Actor (Joseph Gordon-Levitt)

Box Office Update: "50/50" plays similarly as title

Weekends such as these are the most tedious to write about, not because it's a necessarily bad weekend for the box office. On the contrary, things were slightly up from last year, when "The Social Network" was the sole big winner. What I find so difficult about it is the low-key nature of the proceedings. With four new releases, one would expect at least one of them to be a hit. Unfortunately, they worked more to cancel each other out, each landing below the $10 million mark. It's great that "50/50" was the highest grossing new attraction, but it still deserved much more than it got.

I can't say that I wished better for "Dream House" or "What's My Number?", the latter of which hit the lowest of the new releases, as I'm very happy to report. "Courageous", on the other hand, I've never really heard of in my life, yet it had the highest per theater average of the (sort of) wide releases. Not at all sure why. The three films that won the weekend were repeats from past weekends. "Moneyball" and "Dolphin Tale" switched up places, but bumped up from #'s 2 and 3 to #'s 1 and 2. "The Lion King 3D" took a fall of nearly 50%, and fell to third. "Take Shelter" picked up $56,000 from three theaters, so that's clearly playing somewhat positively with audiences.

For Your Anticipation: I'm Gonna Throw Up

I don't think many would have pegged this as one of the top films coming out this month, but it's been a really sad and depressing year for comedies. There's a bit of irony in that the one with most depressing subject matter has the most potential. Honestly, I keep hearing about people getting illogically excited for "What's Your Number?" and I'm wondering why that energy isn't being pointed towards "50/50". This isn't an insensitive sort of film, and there's some kind of honesty going on here. It's based on the writer and Seth Rogen's experience of this. There's got to be some honesty in the pot.

Films to see in 2011: September

I was rather disappointed to have nothing to recommend out of the August slate. Both "Rise of the Planet of the Apes" and "The Help" were better than I expected, and I suppose "My Idiot Brother" looks delightful enough. I guess if you still haven't seen anything from August, those are the three I'd suggest. However, now we're on to September, which has burgeoned into an amazingly successful slate in the past few years. Last year we were supplied with both "Easy A" and "The Town", and I think I remember liking "The American" more than the critics did. It didn't quite deserve the bashing it got.

As for this year, successful films seem to be much more widespread. It's not going to be all shelled out in one weekend, which I really do prefer it that way. Things start out in a really obligatory pattern, and I'm not sure why September usually kicks off with below-standard horror flicks. Do not expect me to spend any time or effort on "Shark Night 3D" or "Apollo 18", and I won't expect you to either. I saw a trailer for "Bucky Larson: Born to Be a Star" in theaters, and I wanted to run as far away from that place as I could. It didn't put me in the right mood for "Bad Teacher" either. Or maybe it did. I'm not sure.

Things do pick up from there, although I still have no intention towards "Warrior", one way or another. It looks like they're milking the formula once again. I don't consign to Sarah Jessica Parker, nor do I consign to her latest film "I Don't Know How She Does It". "Straw Dogs" seems like your typical remake. "Abduction", "Dolphin Tale", "Killer Elite", and "What's Your Number?" all look dreadful. "Dream House" might be an interesting popcorn horror film, but not more than that. And "Moneyball" looks somewhat uninspired, and actually kind of boring. If you think I skipped a few films, you might want to continue to my top three films for this month, after the jump.

"50/50" Trailer

I haven't exactly missed out on any trailers from the past two days, but I haven't gotten them up until now, so there's enough to talk about. First up is 50/50, a dramedy starring Joseph Gordon Levitt and Seth Rogen. Dealing with the subject of a fatal disease in a comedic context is a tricky thing, but it worked in Funny People, and it seems to work with 50/50. The trailer is embedded below. Take a look and leave a comment!