Film Review: "A Dangerous Method" (**1/2)

"Do you think they know we're on our way, bringing them the plague?"

I doubt a film so irritatively dividing of me has come along thus far this year. That much I can say with confidence about David Cronenberg's "A Dangerous Method". Across the film's generous runtime, questions of sexuality, psychology (obviously), emotion, compromise, family, and repression are brought up by the script, but oddly enough not by the film itself. By "the film" I speak of Cronenberg, whose work here is more to draw attention to the film than embellish anything about it. A line like the one above should just be one a group that stick out, but it's the only moment in the film in which you wish for something a bit more incendiary than what we received.

"A Dangerous Method" follows Michael Fassbender as Carl Jung, a budding psychologist following in the steps of Sigmund Freud, portrayed here by the more recently unseen Viggo Mortensen. Jung's passion is lit by prominent patient Sabrina Spielrein, with Keira Knightly literally screaming onto the scene. It puts things firmly in her corner as far as where our attention goes. The film very nearly begins with her first meeting with Jung, jutting her jaw out obtrusively as the telltale sign of her own mental instability. It's never stated what her problem is, but it's never really necessary either.

VENICE: "A Dangerous Method" Reactions

And with that yet another film is brought to ground level in terms of my expectations. As it turns out, not even the best directors are free from folly, and David Cronenberg has been somewhat due for a fall. That doesn't at all state my opinion on these reviews right out of the gate, does it? Indeed the Oscar slate has become bent somewhat unpredictably since Venice start, with "The Ides of March" taking a moderate fall, if only a moderate one. "A Dangerous Method" may be in a similar sort of situation, as the first reviews I really see are from Guy Lodge, whose opinion quite often opposes the view of the Academy.

So to do some further digging, as much is often needed, opposition isn't quite so heated, but it does give credence to my earlier theory that this would be a lesser effort of Cronenberg. Those hoping for something kinkier should've dropped those ideas off at the trailer. Much debate is already abounding at Cronenberg's skills at play this time around, some in defense, others in attack. Keira Knightley is getting the lion's share of praise as the more dramatically frantic of the group, with Mortensen right behind her. Oddly enough, I'm hearing a lot more about Vincent Cassel's prowess in a cameo appearance than I am about Michael Fassbender's leading performance. I remain on the outside of casting judgment until I see it, but these reviews certainly have me making heavy considerations.

Todd McCarthy (Hollywood Reporter): "Despite having to cover stages in the trio's relationships spread over many years, Hampton's screenplay utterly coheres and never feels episodic. The dialogue is constantly confronting, articulate and stimulating, the intellectual exchanges piercing at times. Cronenberg's direction is at one with the writer's diamond-hard rigor; cinematographer Peter Suschitzky provides visuals of a pristine purity augmented by the immaculate fin de l'epoch settings, while the editing has a bracing sharpness than can only be compared to Kubrick's."

"A Dangerous Method" UK Trailer

I doubt that anyone is truly as oblivious to David Cronenberg as his awards history might lead one to believe. Films like Spider, A History of Violence, and Eastern Promises have put him on the map over the past decade. This year brings us his latest, A Dangerous Method, based on the true story of Carl Jung and Sigmund Freud, played by Michael Fassbender and Viggo Mortensen, respectively. The new trailer puts thing further in Jung's corner than Freud's, and it paints things far more operatic than one should expect of Cronenberg. Blame the marketing department, because this is a misleading trailer for a possibly great film.