For Your Anticipation: Jumpers Jump

I don't have the capacity to care about anything, I've deducted. I don't care enough to dig for a clip from "One for the Money", the aptly named comedy from Katherine Heigl. So now we get to this, "Man on a Ledge", with a title that couldn't be less imaginative, and speaks of the function of the film itself. The fact that he's on a ledge doesn't add tension to the situation. The only purpose of it is as a publicity stunt for some kind of heist situation, for some reason. I don't really care, though. I am willing to align my attention for something that might at least be fun. This isn't that.

For Your Anticipation: Good. That's Good.

Can we assume that this is more of an obligatory post than one I wish to write? We are at that point where the wheels are turning on more interesting things than the flock from the dog days of summer. "The Debt" does seem to be a little more than just that, and it's worth noting for being yet another film in Jessica Chastain's freshman year. I have to say, when actors like Helen Mirren and Tom Wilkinson are overshadowed by a relative newbie, it's worth at least mention. This is probably the most interesting thing out there this weekend. It also releases on Wednesday, for whatever reason I can't quite comprehend.

"Texas Killing Fields" Trailer

Another Venice premiere unveils itself ever so slightly. To be honest, though, I have no real idea as to what exactly is going on in "Texas Killing Fields". It does look like your standard procedural crime film, and it gives you ample introduction in the beginning. As we go towards the end of the trailer, I just lose sight of exactly what's happening. It becomes too obsessed with being an action film and we get lost in the fray. Seriously, who makes these trailers? My only interest in this film? Jessica Chastain and Chloe Moretz. Other than that? Not much.