Showing posts with label Persepolis. Show all posts
Showing posts with label Persepolis. Show all posts

Friday, February 25, 2011

The Top 10: Best Animated Feature Nominees

With all the bustle of awards season, it's easy to forget that this is the tenth year of the Best Animated Feature category at the Oscars, and the nominees have been diverse and mostly rewarding. So here is my compilation of the ten best nominees in this category to date, stretching all the way back to 2001. And I can promise you that it's not all Pixar.

10. Fantastic Mr. Fox (2009)

Directed by Wes Anderson

I'm not really a great fan of Wes Anderson, because most of his work is far more miss than hit. He does have an enthusiasm about him and that energy shows in his work. So what better medium for his to try his hand at than animation, or more specifically stop-motion. After Henry Selick left the project for bigger and quite honestly better things (see #4), Anderson became the unlikely director, and brought so much to it. Authenticity is something that always impresses me, and this is undeniably the most authentic animated feature of the past decade. Everything feels so real and untarnished, from the aesthetic of the dolls that make up the characters, to witty script that rivals The Hangover in terms of screwball antics. It definitely feels like the sort of film that would be passed down through the years.

9. Persepolis (2007)
Directed by Marjane Satrapi and Vincent Paronnaud

A French animated adaptation of an autobiographical graphic novel about the Iranian revolution. That's a description that will only ever be suited to this film, and you can overlook how unique this film is at first glance. From the basic and simple animation style, this film is more than just a look into the way the government of Iran changed, but also a spry and emotional tale of the way a little girl changes as she grows up. It has an ironic comic timing to it, and that's very much amplified by the constantly changing atmosphere of Marjane Satrapi's mindset. The film moves at such a clip that you can feel that change of mind that zigzags around so frantically. It's like catching lightning in a bottle, and how it bounces around from there.

8. Finding Nemo (2003)
Directed by Andrew Stanton

When thinking of Pixar's achievements over the past decade, the mind always seems to shift to the film that truly put them on the map. Toy Story, A Bugs Life, and Monster's Inc. could all be seen as Pixar's precursor work, very much like Memento, Insomnia, and The Prestige could be seen as Christopher Nolan's precursor work to The Dark Knight. Both didn't truly hit worldwide renown until their greatest hits yet premiered. Finding Nemo is very much the film most responsible for Pixar's impeccable track record. It didn't stray too far away from the harshness of life, nor the cruelty of the sea. It has plenty humorous anecdotes along the way, and to this day there ceases to be a voice performance that reaches the same heights as Ellen Degeneres as Dori. The men and women over at Pixar still had plenty greater works to unveil, but this was the perfect beginning.