Showing posts with label Heather Graham. Show all posts
Showing posts with label Heather Graham. Show all posts

Friday, August 31, 2012

VENICE 2012: Bahrani's "At Any Price" receives positivity, despite booing

As the Venice slate slowly starts ramping up, the critical reactions we have received in the meantime have largely been a conflicted thing. It started with a mildly despondent reaction to Mira Nair's "The Reluctant Fundamentalist", and continues today with a more positivity tinted reaction to a film that has already been met with "boo"s. That happens to be Ramin Bahrani's heavily American "At Any Price", starring an unlikely cast of Zac Efron, Dennis Quaid, and Heather Graham. When a festival feature is met with vocal or physical negativity, such as those who felt the need to leave the "Alps" screening last year, I rarely go in the other direction. The reviews too haven't given as much reason to avoid as reason to adjust expectations, which were malleable in the first place.
Justin Chang (Variety): "The fastidiousness of this sociological inquiry is undeniably impressive, even if it sometimes puts a stranglehold on spontaneity, as in the emergence of a dark third-act twist. The way Bahrani deals with the fallout is at once vaguely unsatisfying and admirably bold in its lack of moral resolution, casting a long shadow of deceit and injustice over the sun-dappled pastoral imagery that closes the picture. Yet the film's truer, more generous heart may rest in an earlier sequence of the characters singing the National Anthem together, their off-key voices isolated one by one, an authentic expression of faith in a community's ability to weather any storm."

Tuesday, August 28, 2012

Quick Takes: "ParaNorman", "Miss Bala", "About Cherry", "Kung Fu Panda 2"

"ParaNorman" (First Viewing)
Directed by Chris Butler and Sam Fell

That "ParaNorman" entered theaters with a mark against it for not being what "Coraline" was speaks to hint of insightful irony that comes into play for the film. It is, after all, about people who become chastised for being different, some in ways crueler than you would expect for an animated feature. I didn't walk into this with terribly high expectations, which was due largely to a juvenile pair of trailers that emphasized the film's seemingly hollow comedic values. All those judgments go out the window in the first moments of the film, showing a high camp zombie flick that's rife with inconsistencies and errors, and intentionally so.

"ParaNorman" has a very different feel from what "Coraline" was doing. The 2009 film from Laika benefited heavily from Neil Gaiman's boundless imagination fuelling a frightening design aspect to the film. The new film from Laika goes retro and pulpy with its scares, because it is mainly a comedy which has zombies in it as a function of its storytelling. It's working off of stereotypes, something usually frowned upon in cinema, but it works them in a way that's funny, endearing, and offers some mature twists on them. That raises a question of the film's content, which is comically of a more mature brand, but offers some legitimately terrifying moments.