Quick Takes: "Moonrise Kingdom", "Damsels in Distress", "La Luna", "Battleship"

"Moonrise Kingdom" (***)

Directed by Wes Anderson

For once I don't feel like Wes Anderson has lied to me again. Not that any of his previous films have claimed to be anything else, but it so often feels like his stories pitch notions that they have no intention of keeping. Wes is all about the innocent beauty of romance in the context of a not-so-innocent world, or at least that's how it often seems. I walked into "Moonrise Kingdom" like so many else did, expecting more of the quirky, entertaining, but still hollow and dishonest brand that Wes has been pushing across six previous features. What surprised and delighted me about the film is that it's still Wes, but he doesn't seem to faking sincerity this time around.

Taking a tweedy and knowingly ridiculous interpretation of a chaotic ex-military romance, Wes brings some actually true conflicts about adulthood, life, violence, and love to a much younger setting. In embracing the youth of his brand, rather than run off with adults who act like children, which serves ever so annoyingly in nearly all of his previous film, Wes taps something that doesn't feel dishonest. The amazing beauty that his team is often capable of constructing can finally be given the chance for the audience to drink it in. It's not a lie, and the emotions that the characters feel aren't an obvious facade. This is a fascinating debut for Kara Hayward, a place where Edward Norton can finally sink into something fresh again, a project for Tilda Swinton to wax ridiculous playing "Social Services", and honestly a career-best performance from Bruce Willis, if that means anything. It's a thing of true beauty, and one that Wes is sadly not likely to achieve again.

Box Office Report: "Huntsman" raises average summer weekend

I get a feeling, given the response to "Snow White and the Huntsman", I am going to end up hating it, and people will, for some reason, chastise me for it. It simply feels in the precise same vein as "X-Men: First Class", in more ways than that they share the same release date and the same opening gross. To be honest, I felt we were in for a much larger disappointment, but not so, and while I'm happy with a Charlize Theron vehicle garnering a significant audience, something just reeks foul and joyless about this enterprise. But learn to let people have their successes, especially if somebody is enjoying it. That's no bad thing.

On the brighter side, "Men in Black 3" is holding onto audience interest as well as I hoped it would, with just a 47% fall, which far outshines "Hangover 2"s 64% drop in the same frame last year. "The Avengers" too is holding on well to its audience, even as it falls slowly from view. As for where the other blockbusters of this summer lay, "Battleship" is coasting towards a $60 million final cume, with "Dark Shadows" likely for $75 million at the end, neither particularly fortunate. Overall, the weekend was 14.3% down from last year, understandable given the lack of fare last weekend, which is usually quite filled with blockbusters.

Box Office Report: "Men in Black" cart "The Avengers" off

As far as Mays go, I can't truly say that 2012 had it that bad for movies. Of the box office giants that came out this month, the top two are actually quite deserving of the numbers they've brought in. "The Avengers", as many have already attested, is quite a fantastic ride of a character-mash, and "Men in Black 3" honestly had quite a few factors that not only saved it, but made its brand of humor genuinely fun. The two weeks that came between, we'll forget about for good measure. May was a good month for blockbuster movies, though time may still herald "Men in Black 3" as a box office disappointment.

Let's get our facts straight first. $55 million is a fantastic 3-day opening for Barry Sonnenfeld's film, though probably dwarfed by its predecessors if you factor inflation. Even then, it's a damn good figure for the film that they delivered. Now's the bad news. The film is rumored to be budgeted at $215 million, which certainly puts a few odds against this sci-fi comedy. Mind you, it's not nearly as big as the gulf that faced "John Carter", which is forever doomed to be scale against which all megabudget films are held. This won't be a failure, though possibilities on them getting a sequel really do depend on word-of-mouth impact.

Box Office Report: "Avengers" sinks "Battleship"

I suppose that Hasbro and Universal are digging a tough lesson into their heads right about now, that if you're going to adapt a boardgame you might want to stick to what was great about the game. OR, just don't adapt boardgames. That's a generally good rule of thumb. Their "adaptation", "Battleship", floundered at the box office, middling in the 20s where it was projected above the 40s. In its place at #1 was "The Avengers", continuing to hold up spectacularly, and the more weeks go on, the less you can expect the film to fall upon consecutive weekends. At this point I can very much see it reaching $650 million by the end of its run, but not much higher.

As for the other new releases, they too felt unusually stunted in comparison to "The Avengers". "The Dictator", which sadly enough may have been the most eligible film to court this weekend, wasn't even able to reach $20 million. "What to Expect When You're Expecting", which you'd think would get the chick flick crowd in easy, realized that it was clearly in the wrong landscape. Film really need to bring their A-game when going up against the higher class blockbusters of the summer. The weekend was an expected dip from last year, when "Pirates of the Caribbean: On Stranger Tides" climbed to $90 million.

Films to see in 2012: May

Despite the "getting back into the swing of things" vibe that May always seems to give off, isn't it just great to be heading back into the big season? With a large budget offering being thrown our way nearly every week this summer, odds are in favor of some of them hitting their mark. In some cases that mark is far below the standards of others, and mindfully so. The first two weeks are taken up chiefly by highly anticipated offerings, but also a couple of indie films with buzz of their own. I must say, part of me is rather interested to see "The Best Exotic Marigold Hotel" for the fun of it. Clearly not a serious offering, but when was the last good comedy about old people?

The following week, Toronto's audience favorite "Where Do We Go From Here?" hits, but I'm still confounded by that one. I don't really know what to make of it, and it's only on the radar from the faint possibility that people will swoon to it. I doubt that'll happen, seeing as it didn't even make the Foreign Language branch this past year. As far as larger offerings with less chance of hitting the mark, boy there are plenty. "Battleship" has already gotten the below-average reviews we've expected it would, though I may still see it for Rihanna. That's right! I stick by my girls! "Obsession" 4 evar!!