Quick Takes: "21 Jump Street", "Iron Man 2", "Captain America"

"21 Jump Street"

Directed by Phil Lord & Chris Miller

Channing Tatum has been a massive anomaly and point of confusion since the start of his existence. He's not especially influential in his action roles, and plain sappy and dull in his romantic roles. The guy simply was not meant for serious work, so it's no mistake that "21 Jump Street" finally gives the guy something that he can thrive in. Spinning off of the old television show, it ultimately ignores that small fact to embrace something funnier and more interesting. The high school stereotypes of old have changed dramatically in years recent, and the power structure of schools is less and less with jocks, and more with charismatic members of band and drama.

"21 Jump Street" is not at all about intensity, and is more about two polar opposite personalities having to come to terms with aspects of themselves that they have not realized before. Jonah Hill often times falls to idiocy in comedic roles, but the man is on a mean streak recently. "Moneyball" showed that he had serious chops in him, and this film gives him some sweet and affectionate chemistry work between him and Tatum. As said before, Tatum is the guy who truly rocks this film. His typically dopey work is hilariously on time here, and the guy really is a born comedic actor. Don't be afraid to defame yourself Tatum. It may be where you belong! And Brie Larson is just darling. The girl had me at hello.

Box Office Report: April gets "Lucky"

WAVERING QUETION: Why aren't people in love happy?

Can somebody do me a kindness and explain to me how this weekend turned out to be so ridiculously successful at the box office? I did not believe for a second that films with as little buzz and interest as "Think Like a Man" and "The Lucky One" would end up with the colossal debuts they did, especially after more obvious smashes like "American Reunion", "Wrath of the Titans", and "Titanic 3D" seemed to wash up to some degree. Don't get me wrong, since they're still earning quite the honest intake, with "Reunion" having been made on a small profit, "Titans" pulling in a profit overseas, and "Titanic" having already tripled its budget some time ago.

Needless to say it was a weekend for underdogs, with Tim Story's black (as in the colour) comedy "Think Like a Man" becoming the surprise hit of the weekend. My guess is it found a niche in the Tyler Perry crowd of viewers, and ran with it quite well. And who could possibly be surprised that a bunch of girls flocked to theaters to check out Zac Efron in yet another Nicolas Sparks adaptation. At this point, what tween actor hasn't had the Nicolas Sparks treatment? I think we're waiting on Taylor Swift to grab one up, and I admit that if she did that, I might actually see it. Why? Because I'm an idiot who loves Taylor Swift, so back off keep reading.

Box Office Report: "Hunger" Leads to Starvation

Keep doing your thing "Hunger Games", because it's going to be a long month once your magic has drifted to a state of normality. Not to say this month has no promise whatsoever. On the contrary, there are enough decent releases throughout the month to make up for the drought that's existed below the top five at the box office. I'm sick of typing in digits below $1 million, and even sicker of talking about "Salmon Fishing in the Yemen"s kinda/sorta "success". In any case, it's tough to look at this weekend's stats and not see a bit of disappointment. After all, there's been strong enough success in the 3D market to assume that something like "Titanic" would be able to thrive. I guess it's just not THAT beloved.

And I guess people don't really care about the dumb revival of a dumb film series that went away for a good reason. Don't expect "American Reunion" to stick around for good measure. Their disappointment evokes a strong enough boost for last week's somewhat honest debuts. "Wrath of the Titans" fell a good deal as expected, but it's already tracking much better than "John Carter" did. "Mirror Mirror" didn't take much of a tumble at all, and it seems that there's been some kind of positive audience reaction on the part of that film. Hopefully it'll end with some solid enough wages. "21 Jump Street" seems to be reaching the point of winding down, but it'll make it's way to $125 million pretty well. Oh yeah, and "The Hunger Games" did stabilize to a degree, and should make its way past $350 million, but not much higher.

Box Office Update: "Hunger" Devours "Wrath" & "Mirror"

This weekend continued the trend of behemoths dominating senselessly due to unearned enthusiasm while the real gems are still acknowledged, though not nearly as much. I wasn't happy with "The Hunger Games", so the impact of its gargantuan debut had me shrugging with an extreme sense of banality. Though the film did take a massive tumble this weekend, but that's to be expected from such an outstanding opening figure. The film is working on its crawl towards $350-$400 million by the end of its run, though where it lands in that schema depends largely on how it fares next weekend. If nothing else, the film is giving an uncustomary boost to a usually banal box office frame.

And the rest of what's currently filling up the market isn't faring too terribly, if not particularly as excellent. "Wrath of the Titans" opened second to nearly half of what its predecessor opened to. Granted there has been a lot of well earned hatred surrounding that film that this one has been attempting to redeem, so it does have a fight ahead of it, especially if it wants to make back its $150 million budget. Admittedly, that's an easier target to achieve than "John Carter" had against it. "Mirror Mirror" too isn't quite raking in the children it expected to, and everyone else just isn't giving notice to it. It largely depends on buzz, and if the small faction of people who adored it are able to spark enough interest in it.